It was meant to be a relaxed weekend and reunion of old friends, but then it turns into an absolute nightmare. It’s been 25 years that Ali and her husband Mike first met their friends Karen, Jodi, Bill and Callum at university, a reason to celebrate in their new home. Yet, after a lot of alcohol, a loud cry from Karen suddenly ends the joyful get together: Karen claims to have been assaulted by Mike, her bleeding and overall status seem confirm her accusation. After Mike’s arrest, Ali’s world slowly crumbles and falls, the more she learns about her husband, the more she has to ask herself if she really knew whom she has been married to for all those years. Not only did he have an affair all those years, but also are there money transfers to an unknown account and more pieces of information that are far beyond just being inconvenient: they are purely frightening. But this is just the beginning.
Claire McGowan’s thriller is absolutely breath taking. It is mainly narrated from Ali’s point of you and you constantly ask yourself: what would I do if I were in her shoes? Whom would I believe, my husband or my former best friend? Would I stick to my ideals or try to save the life I had worked for for years? How far would I be willing to go for the person I love? The story moves at a very high pace, just whenever you think the characters have found a way of coping with the catastrophe, the next follows immediately only to make the whole situation even worse. There is no moment to relax and sit down to think through the mess they are in, they are forced to react to ever more complications from one minute to the other.
The plot is very cleverly constructed, revealing its full potential only slowly. What makes it especially delicate is the fact that it plays on those core emotions in life: trust and believe in the people who are closest to you. It hurts a lot more to feel betrayed by the ones you love than coping with just with stressful situations. Additionally, I found it quite clever to put Ali in the position where she is presented as an advocate for women who have been assaulted and speak out against their perpetrators and then finding her in the position where she is inclined to take the other side and rather believe her husband than the woman – and friend! – who without any doubt is a victim.
I utterly rushed through the novel since I could hardly put it down. The short chapters even accelerated the plot and made you read on just one more chapter and another one and so on until the end. A brilliant story that I enjoyed throughout.
After ten years together, Ruth finds herself suddenly alone. Neil has left and all that her life consists of now is her work as a nurse in an old people’s home and shopping groceries at the small Tesco close to her flat. How did she get here? First, the escape of her ill-willed mother, then her friend Alanna whom she met in nursery school and with whom she still works together, the different patients and their respective needs, and Neil whom she despite all the time together seems to have hardly known.
Shelf Life – a. the period during which a good remains effective and free from deterioration. B. the period for which an idea or piece of information is considered an advantage over the competitor.
Still after having finished reading the novel, I wonder about the link between the title and the plot. Yes, the groceries Ruth buys somehow play a prominent role since they provide the titles for the different chapters. But beyond this? So what else could the title refer to? The time the main character is considered young – might be, but Ruth is beyond this discussion and her age is of no importance. Even as a young girl she wasn’t actually judged pretty or attractive. An innovative idea or piece of information is also something I didn’t find.
Thus, just as the titles leaves me a bit perplex, the whole story only slightly touched me. There is some red thread, basically between Alanna and Ruth, which is a bit strange since her relationship and breakup with Neil somehow nevertheless make up the centre of the plot around which everything revolves.
I liked Livia Fanchini’s style of writing and I am sure she can tell an interesting story, but somehow “Shelf Life” confused me much more than it made sense. Her characters are definitely interesting in their very peculiar manners, but somehow it all seemed not fully developed to me.
When the bell rings one evening, Tess does not know that this will change her life completely. Her 16-year-old daughter Emma was attacked on her way home from the bus stop, a man tried to abduct her but luckily, a woman came by and could save her. Tess is more than grateful for what Frances has done that night and so it is quite natural to let her into their life which has been a bit chaotic after Tess’ divorce. When Emma fails to identify the attacker with the police, Tess feels the need to do something and so does Frances who thinks she could recognize the man: James Laurence Stephens. Tess totally freaks out, such a man cannot be left running around freely and thus she starts to observe him, follow him online and gets totally worked up about him. Frances is always on her side, supporting her and Emma who does not cope too well with the situation. But then, Tess’ anger and spying fire back and now she is under threat – obviously by a man who is capable of more than just harassing girls.
Tammy Cohen’s psychological thriller got me hooked immediately. The author does not give you a chance to slowly get into the novel, she starts right in the middle of the police investigation and thus, does not leave you any time to get acquainted with the characters and situation – just like Tess was overwhelmed by the incident. Neither does suspense nor the pace slow down after this, the plot moves at a very high speed and this is how you just like Tess lose the focus and get lost in the events. Since I utterly adored the novel, I was curious to find out more about the writer and I was quite astonished that I have read and liked several of her novels published under the pseudonyms Tamar Cohen and Rachel Rhys. She surely is a gifted writer no matter what kind of genre she works on.
What I appreciated most apart from the suspense and high pace was Cohen’s protagonist Tess who is authentically depicted: a wife who has lost her husband as well as her career, who struggles with life and just wants to do the things right at a moment, when nothing seems to work out for her anymore. She is under a lot of pressure from all sides and this makes it easy for her to get immersed in this paranoia of following her daughter’s apparent attacker. From her limited point of view, it all makes totally sense. As a reader, you know that something is not quite right with her perspective, especially since there are parentheses coming obviously from some other character that are not easy to insert into the picture.
A brilliant and captivating read that I could hardly put down. Skilfully crafted with unexpected twists and turns and superbly playing on the psychological aspects of somebody being stressed out and thus prone to fall prey to evil and malevolent fellows.
She shouldn’t have been there in the first place, Shoreditch, the part of London where the attack took place in which Cara was almost killed. It was this young girl, Amy, who saved her by pulling her into a store and then hiding with her for hours. Cara just left her lover when she met the killer, under the pressure of the events, she told Amy about her affair and the lost love of her husband. The events bring them close together and when Cara needs somebody to babysit her daughter, Amy moves in. What seems to be a close friendship, turns out to be something completely different and it won’t take too long until Cara doesn’t recognize her own life anymore and has to realize that she is in real danger.
Karen Perry, the pseudonym of Karen Gillece and Paul Perry, has chosen two quite different main characters for her sixth thriller: on the one hand, the down-to-earth successful radio maker Cara who supports her family and has established herself a picture book life – however, only when looked at from the outside. On the other hand, it is obvious from the beginning that Amy is suffering from hearing voices and that her extreme emotion leads her much more than a rational view of reality. Alternating their points of views gives the reader an advance which does not diminish the suspense.
You know exactly what is going to happen, yet, the question remains how far Amy is ready to go to attain her goal. Would she kill for it? Whom? How destructive is she actually or does she break down before something really bad happens? Something really bad is in the air – and then it happens.
I really liked Karen Perry’s style of writing which keeps you reading on because you want to know how this mess will finally be solved. Nevertheless, I was a bit disappointed by the protagonist Cara. At first, she seems to be quite clever and everything but easy to manipulate. But the more the plot advances, the more naive and even plainly stupid she becomes. This is a bit annoying because at a certain point, it is absolutely apparent who is behind it all, but she remains stubbornly ignorant. All in all, quite some entertaining thriller.