When CIA analyst Abdul Ghali is sent to Africa due to his family background and language knowledge, he expects a lot but surely not what his trip will turn into. He quickly finds Milo Weaver who runs the so-called “Library”, an organisation with its very own agenda between governments, international conglomerates and high ideals. A number of suspicious murders of members of the “Library” have triggered questions at home and it does not take too long for Ghali to become a target himself. He can flee with Weaver who then reveals what has been going on in the last couple of months: an incredible international conspiracy.
The final part of the Milo Weaver series is a highly complex spy novel linking political and economic interests with current events. There are not many global stakeholders missing and Olen Steinhauer‘s concept will be hard to surpass since it combines fast-paced suspense and authenticity concerning international politics and economics.
For me personally, the sheer number of characters and their individual agenda was a bit too much in order to simply enjoy the novel. I had to re-read several parts and take notes not to get lost. On the one hand, I enjoy demanding plots, on the other hand, this results also in demanding a bit less enjoyable reads. It definitely is also advisable to read the other novels of the “Tourism” series. The atmosphere created is convincing even so it was at times a bit over the top. All in all, a demanding espionage novel which takes some time to digest.
After his first investigation in Greenland, Matthew Cave has remained on the Danish island. There are still a lot of questions around his family he would like to have answered. Now, the story goes back to the year 1990 when Matt’s father Tom was stationed at an American military base on Greenland to carry out revolutionary medical tests. They managed to develop a pill which could make the body support cold temperatures much longer – a definite advantage in the cold north. Yet, this did not come without side effects and then something went totally wrong. Matt thought his father had died in that spring but he has already figured out that he must have survived somehow since Matt unexpectedly has found out that he has a younger sister. When he starts to investigate what happened on that military base almost 25 years before, he suddenly hits a hornet’s nest and puts himself and his sister in danger.
I already liked the first book in the series about the Danish journalist where the basis for this second novel was laid. Where I found “The Girl Without Skin” a bit creepier and more spine-chilling, “Cold Fear” is much more a spy novel which convinced me with a complex plot and repeated moments of highest suspense. Additionally, again, Nordbo provides insight in the Greenland culture and traditions of which I hardly know anything and which I found as disturbing as interesting.
It is not easy to sum up or briefly retell what “Cold Fear” is all about, there simply is too much and this really demands all your attention while reading. The plot certainly is strongest when political and societal aspects are touched – not just since we have seen the USA repeat their claims of the island this year. As Greenland is located so far away, we are highly ignorant about the different people who settled there and especially their mutual regard or rather disregard which becomes a lot clearer while reading.
However, what enchanted me most were the characters. From a psychological point of view, it is easy to comprehend why they act the way they do and how they developed into the person we meet in the novel. Most powerful are the female characters for me since all of them grow-up under the harshest circumstances and what they have to go through does not remain without trace.
Among the masses of Scandinavian crime novel, undoubtedly one that stands out.
Finisterre Island, a small isolated place off the coast of Maine, is normally a lovely and peaceful place. But a house with strangers annoys the locals as well as the summer guests since it seriously disturbs the idyllic atmosphere. When on 4th July a boy goes missing, suspicion rises. Just a couple of weeks afterwards, another boy vanishes. Is there a connection between these incidents and the newly arrived woman of the suspicious house? Annie seems nice enough, but she obviously has some secrets, not only her affair with a local policeman, but also her mysterious and sudden appearance in town.
The plot sounded intriguing to me, children going missing, a small island where everybody knows everybody, characters with secrets, but unfortunately, the novel didn’t really reach me. I found the beginning of the novel quite slow and it took me a lot of time to sort out the two lines of the plot. The toughest for me was the fact that I didn’t sympathise with any of the characters which makes it hard to really care for them and their fate. Additionally, what I really detested was how they all treated children. Just like some object that you thoughtlessly can move from one person to the next.
As I figured out much too late, this is the second instalment of a series. Maybe I just didn’t understand the crucial point of the novel since I hadn’t read the first book, there were actually some perplexing aspects that did not make too much sense to me. I also missed some kind of explanation for the characters’ really strange behaviour which unfortunately never came. All in all, a novel that I couldn’t really relate to.
It’s one of the biggest murder trials New York has seen for some time and all the country is waiting for actor Robert „Bobby“ Solomon to be convicted for the double murder of his girlfriend and her lover. Chances for Bobby are low, all the evidence is clearly against him: he was at the crime scene, blood all over, he left a finger print on a dollar note which was found on the victims, the murder weapon, a baseball bat, belongs to him and has his prints and blood of the victims all over. And he does not have an alibi for the time of the deed. Yet, there is another factor which will make sure that Bobby goes to jail: the murderer is on the jury. But, the killer didn’t anticipate Eddie Flynn, Bobby’s defence attorney, who looked his client in the eyes and saw that this man is innocent. So there must be someone else to blame. Let the game begin.
Steve Cavanagh’s legal crime novel has a rather slow start, but then it takes up pace and suddenly you can only wonder what unfolds in front of you. A brilliant puzzle and fight between two highly intelligent combatants who quickly combine facts and spectacularly try to outplay the enemy. “Th1rt3en” is the fourth novel of the Eddie Flynn series which can also be read without knowledge of the preceding books. For the third of the series, “The Liar”, Steve Cavanagh was awarded the Crime Writers Association Gold Dagger in 2018.
The novel clearly lives on the fight between the killer and the lawyer. Both are highly interesting characters and certainly equal in many respects. On the one hand, Joshua Kane who seems to have perfected crime and taken killing to a higher level. It is brilliant how he proceeds and does not only care about the murder itself but also about what follows after. On the other hand, it seems as if nothing can stop Eddie Flynn, his sharp intellect guarantees clever tactical manoeuvres and seeing things that other might overlook.
It’s the classic fight of good versus evil integrated in a complex story. When the actual trial starts, the plot accelerates and suspense rises enormously. It is fascinating to follow the story line and see how all pieces finally fall into places. Even though there are some blunt and brutal murders, “TH1RT3EN” is a rather demanding and intellectual thriller that demands all your attention and concentration, something I highly appreciate.
Just one evening with an old school friend and Maddie’s life is not what it was anymore. Her life with her husband Milton and their son Seth simply isn’t what she wants anymore and so she makes a courageous decision for the year 1966: she leaves. Now completely on her own, she wants to make real another dream: becoming a journalist and when she, by pure chance, comes across the body of a young girl and soon after again of a woman, she seizes the opportunity of her first contact with the press. It is especially the second case of the “Lady in the Lake” as she was named that turns in her mind. Nobody seems to be really care about who murdered Cleo Sherwood, just because Cleo was black. Maddie knows that there must be a story behind it and that this can be her chance to really become a reporter.
Laura Lippman’s novel is one of the most talked about books of 2019 and it only takes a couple of pages to understand why all this praise is more than justified. “Lady in the Lake” is the perfect combination of a crime novel and the story of a woman who follows her will and is brave enough to do this against all societal conventions. The setting is all but favourable for such an undertaking and Lippman’s lively portrait of Baltimore of the 1960s underlines with which severe consequences such an attitude came in these days.
The most outstanding aspect of the novel is surely the protagonist. Maddie Schwartz is the perfect Jewish housewife – until she isn’t anymore. She remembers the young woman she once was, surely a bit stubborn, but to put it positively: she knew what she wanted and she got it. So why should she be pleased with the second best life? She definitely is a bit naive, but her sympathetic authenticity is the key to the people and this makes her story convincing and plausible. Times were harsh, above all for black people and the novel gives a good impression of what this meant in everyday life. It is not an open accusation of segregation and the different kind of treatment of people of colour or even a political statement, but simply a fact and thus an integral part of what the characters experience.
I also liked the constant change of perspective and how Lippman integrated different points of view which also gives a good idea of someone like Maddie was perceived in her time. This also make the narrative lively and varied. I had some high expectations due to the masses of admiring reviews I had read, but nevertheless, the novel surpassed them easily.
After her beloved father has died, Seraphine Mayes digs into her family’s history. When she finds a photograph of her mother, her older brother Edwin and one baby, she is astonished: it must have been taken on the day of her birth, but which one is the baby? Seraphine or her twin brother Danny? And why does the mother look so happy, only hours before she committed suicide? The photo must have been taken by the au pair who was then looking for Edwin, a certain Laura. When the young woman starts her search for the former babysitter, memories of rumours surrounding her family home Summerbourne also come back to her mind: why did everybody in the small village always say that twins do not survive in that house? When Seraphine tracks down Laura and tries to contact her, she inadvertently sets in motion a series of events.
Emma Rous’ mystery starts as a simply family story and then develops into a suspenseful crime novel. The story is told alternatingly between Seraphine’s search for Laura and the latter’s experiences as an au pair 25 years before. Two young women full of distress who cannot foresee what they run into. The plot is carefully crafted and to sort out the complex connections takes some time thanks to unexpected twists and turns.
“The Au Pair” clearly lives on the two protagonists. I liked both of them dearly, Seraphine’s stubbornness is quite convincing, she does not give up even when being threatened, actually this only spurs her curiosity and fervour to uncover the events surrounding her birth. On the other hand, Laura had to flee from her evil stepfather and tries to regain control over her life. Both women are created multifacetedly, especially their relationships are complicated which makes them authentic and believable. Apart from the characters, I especially liked the atmosphere of the novel and the spooky tales that circle around the two family homes which give you the impression of old gothic homes which have some secrets buried that are never meant to come to the light.
A double murder shakes the small seaside town of Tilby. Heather, a 32-year-old mother of a small boy has killed Clive Wilson, 58, and his mother Deirdre, 76, in the early hours before attempting suicide. But why did she do it? Did she even know them? Her mother is devastated and so is Heather’s childhood friend Jess, now a journalist with a newspaper in Bristol. For almost twenty years, they had not been in contact, but now she is reaching out to the family Jess once regarded as her own. How can one single family be stricken by fate that often? Heather’s father was killed in an accident when a gun was fired, her older sister Flora went missing at the age of sixteen, and now this. There’s something rotten, obviously, but can Jess figure it out?
Another page-turning mystery by Claire Douglas that hooked me immediately. I had high expectations that were totally fulfilled: many mysteries to solve, twists and turns, unexpected links and whole lot of characters that are not to be trusted. Just what you would expect from a great thriller.
What I liked most about the story were the secrets that everybody keeps, those small things that seem to be without any importance but suddenly become crucial but then it’s already too late to tell them. And then, people have to live with the knowledge that they are keeping some major facts that when being told could have saved somebody or prevented a lot of things. The plot is quite complex, at the beginning it all seems quite obvious, yet, the more it advances the more characters are added and the more multi-layered it becomes. Whenever you think you have seen through it all, your theory simply crumbles and falls – and this works out until the very last page.
It’s been twenty years that Tikka Molloy fled her Australian home. Now that her sister is seriously ill, she returns not only to her family but also to a secret that the girls have kept for two decades. They have always been friends with the three van Apfel girls who just lived across the street, Cordelia, Hannah and Ruth were their closest friends that they confided in. And so did the Molloy girls. This is why they shared their plan of running away. But something went totally wrong. Tikka’s older sister Lauren was to go with them, but somehow they miss each other at their agreed meeting point and a few days after they ran away, only 8-year-old Ruth turned up again. Dead. Returning home brings back all the memories of the weeks before the van Apfel girls’ disappearance.
Felicity McLean’s novel mixes different topics and genres. On the one hand, it is a coming-of-age novel, the girls all have to face the fact that adults can be evil and that sometimes are not to be trusted. On the other hand, it is also a mystery novel, you don’t know what really happened, if the girls might still be alive. And it is a study in how to live with the knowledge that behaving in a different way in a certain situation might have made a big difference.
As other reviewers have pointed out before, yes, while reading you have the impression of having read it before. There are certain parallels to other novels such as “The Suicide Sisters” and much of the plot has been treated in similar ways before. Yet, I liked to read it anyway especially because McLean manages to convincingly get the tone of eleven-year-old Tikka who is at times naive but always good-hearted and well-meaning. A perfect beach read that I thoroughly enjoyed.
When Walter turns himself in to the police, nobody wants to hear about it. He has committed a crime that the small town ignores – but, it is a crime and he wants to be sentenced. How could it all come so far? How could he kidnap a child for three days? Flashback. Walter was a child prodigy and due to his maths skills already as a young man makes a career in the financing business. In Sterling he finds an older but loving wife and with their child Olivia their family is perfectly complete. In their community, they are a typical family, not like the one from across the street. The father has always been absent and so is the mother, leaving young Amanda alone. The two girls become close friends and Olivia’s family somehow adopts Amada. While the girls grow up, Sterling and Walter become more and more distant until they finally break apart – leaving Walter and the almost teenager Amanda in a very precarious situation.
When I read the first pages of the novel, I was like “Oh my god, not another Lolita story!”. I was afraid that the worst could happen, yet, the strange reaction of the inhabitants of the small town made me wonder: would they ever accept a man who seriously molested a child? I doubted this and luckily read on. What unfolded then was a wonderful story of love and affection of two persons being left and feeling alone and thus becoming a very unique couple.
Even though at the beginning, the relationship between Walter and Amanda is perfectly innocent, at a certain point there is a thin line which somehow is crossed. You feel uncomfortable about how close they are, and even though Walter tries to set up clear boundaries to prevent anything from happening, there is an underlying feeling of an edgy uneasiness. The author plays with a taboo without transgression, but it makes clear that when it comes to affection between an adult and a child, there is some grey area. On the one hand, Walter is the best that could ever happen to Amanda. There is no doubt about his positive influence on her education and personal development. On the other hand, he is much more than a father figure which clearly is a no go considering her age.
Interestingly, both mothers fail in their role as educator and carer, something which you rarely encounter. They do not mistreat their daughters but definitely neglect them. Thus, the novel has a lot to offer from a psychological point of view. Not only the parents’ roles, but also the fact that Walter as a child prodigy never really had a childhood or normal adolescence and now with Amanda somehow lives through a time that he missed out at that age.
A wonderfully written novel that certainly could surprise me several times and which offers much to ponder about.
A fire somewhere in London attracts the people’s attention. Where is it exactly? What is burning? Is it dangerous? But Jack Bick has other problems. His alcohol consumption is totally out of control which highly impacts his job as a journalist at a lifestyle magazine. This has not gone unnoticed and his superiors virtually hold a pistol to his head: either he runs an interview with a real estate manager or he is out. Jack, instead, is highly fascinated by an author who hasn’t published anything for years. His sixth sense tells him that there is a story, but nobody wants to hear about it. Should he succumb or follow his instincts? Well, it’s not really a question for Bick and so a series of catastrophes starts-
I was totally hooked by the flap text which promised a novel about truth – personal truth, objective truth, journalistic truth and modern day London life. Well, yes, this is what it is about, but after a great start with the scene about the plume, the novel completely lost me. It had the impression that the plot did not advance but turn round itself all the time and the protagonist, whose addiction and sloppiness I highly detested, did not help either.
There were some great aspects, especially the question about creating reality and turning lies into facts. Also how real estate works in London and how ordinary tenants are treated just as objects you can make money with was certainly interesting. Yet, for me, the protagonist destroyed a lot and I had the impression that just as Jack Bick lost control of his life, the author also lost the red thread of the plot at times which made it hard to keep focused and go on reading for me.