After ten years together, Ruth finds herself suddenly alone. Neil has left and all that her life consists of now is her work as a nurse in an old people’s home and shopping groceries at the small Tesco close to her flat. How did she get here? First, the escape of her ill-willed mother, then her friend Alanna whom she met in nursery school and with whom she still works together, the different patients and their respective needs, and Neil whom she despite all the time together seems to have hardly known.
Shelf Life – a. the period during which a good remains effective and free from deterioration. B. the period for which an idea or piece of information is considered an advantage over the competitor.
Still after having finished reading the novel, I wonder about the link between the title and the plot. Yes, the groceries Ruth buys somehow play a prominent role since they provide the titles for the different chapters. But beyond this? So what else could the title refer to? The time the main character is considered young – might be, but Ruth is beyond this discussion and her age is of no importance. Even as a young girl she wasn’t actually judged pretty or attractive. An innovative idea or piece of information is also something I didn’t find.
Thus, just as the titles leaves me a bit perplex, the whole story only slightly touched me. There is some red thread, basically between Alanna and Ruth, which is a bit strange since her relationship and breakup with Neil somehow nevertheless make up the centre of the plot around which everything revolves.
I liked Livia Fanchini’s style of writing and I am sure she can tell an interesting story, but somehow “Shelf Life” confused me much more than it made sense. Her characters are definitely interesting in their very peculiar manners, but somehow it all seemed not fully developed to me.
A double murder shakes the small seaside town of Tilby. Heather, a 32-year-old mother of a small boy has killed Clive Wilson, 58, and his mother Deirdre, 76, in the early hours before attempting suicide. But why did she do it? Did she even know them? Her mother is devastated and so is Heather’s childhood friend Jess, now a journalist with a newspaper in Bristol. For almost twenty years, they had not been in contact, but now she is reaching out to the family Jess once regarded as her own. How can one single family be stricken by fate that often? Heather’s father was killed in an accident when a gun was fired, her older sister Flora went missing at the age of sixteen, and now this. There’s something rotten, obviously, but can Jess figure it out?
Another page-turning mystery by Claire Douglas that hooked me immediately. I had high expectations that were totally fulfilled: many mysteries to solve, twists and turns, unexpected links and whole lot of characters that are not to be trusted. Just what you would expect from a great thriller.
What I liked most about the story were the secrets that everybody keeps, those small things that seem to be without any importance but suddenly become crucial but then it’s already too late to tell them. And then, people have to live with the knowledge that they are keeping some major facts that when being told could have saved somebody or prevented a lot of things. The plot is quite complex, at the beginning it all seems quite obvious, yet, the more it advances the more characters are added and the more multi-layered it becomes. Whenever you think you have seen through it all, your theory simply crumbles and falls – and this works out until the very last page.
When on a late evening scientist Emma finds a young woman dead on the university premises, it looks like a hit and run without any connection to the place. But then, the police find out that she had the ID of another student with her and also wore her clothes. Carline Darcy, first presumed the victim, reacts very harshly to the police showing up at her apartment, but her behaviour makes her even more suspicious, especially since Carline comes from a very rich family owning the institute close to which the body of the still unidentified woman was found. As Cormac Reilly and his team investigate, more and more evidence pops up linking the rich girl to the murder. But also the scientist who found the victim is doubtful – wasn’t she connected to another murder just a couple of months before? And what about the fact that Emma is the leading sergeant’s partner?
Dervla McTiernan’s thriller is a highly complex police investigation that I thoroughly enjoyed to read. It moves at a high pace and on every new page, new evidence appears that leads to another thread that you could follow. To fully understand to extent of the case, it takes some time and you as a reader investigate along the police all the time. The fact that sergeant Reilly himself is personally involved gives it all a bit of an extra that made the whole story even more interesting.
There are two aspects in the novel that I found wonderfully elaborated. First of all, the ways dysfunctional families find their own modus operandi in which they proceed and which can never be penetrated by somebody from outside. It was mainly in a side plot that this a deeply developed, but it was also true for the protagonist’s family, just with a slight shift of interest. The second was the question of how far people are willing to go for success and recognition. These are highly valued in our times and often the main feature to define a person. If you cannot compete, you are nothing. With this attitude, to we dig our own graves in putting people under so much pressure that they cannot see a way out?
The 1920s are tough in post-war Germany, but the show must go on and the art market flourishes despite all economic struggles. Yet, where money can be made, fraudsters aren‘t far away. Julius is a Berlin based art dealer and specialist in van Gogh; Rachmann is a young Düsseldorf art expert who is hoping to make a career in the business, too; Emmeline is a talented artist and rebel. Since the art world is a small one, their paths necessarily cross and one of the biggest frauds in art links them.
I have been a lover of novels set in the 1920s and 1930s in Berlin since this was a most inspiring and interesting time of the town. Not just big politics after the loss in the first word war and then the rise of the Nazi party, but also the culture and entertainment industries were strong and the whole world looked at the German capital. Quite logically, Clare Clark‘s novel caught my interest immediately. However, I am a bit disappointed because the book couldn‘t live up to the high expectations.
I appreciate the idea of narrating the scandal from three different perspectives and points in time. The downside of this, however, was that the three parts never really merge into one novel but somehow remain standing next to each other linked only loosely. At the beginning, I really enjoyed the discussions about art and van Gogh‘s work, but this was given up too quickly and replaced with the characters‘ lamentations and their private problems which weren‘t that interesting at all and made reading the novel quite lengthy.
Thirty years have passed since 14-year-old Aurora Jackson vanished when camping with a group teenagers. But now, her body has been discovered by coincidence. She has been dead all the time, buried in the woods and her killer running free. What happened that night, when Aurora‘s sister and her friends had invited her in the woods? Obviously a lot of booze and drugs, but how come that one of them could have been murdered and the others remain silent for over three decades? DCI Jonah Sheens and his team have to face a group of friends who stand in line even after all the time. They must have to hide quite a lot…
Gytha Lodge‘s debut is a thrilling crime novel from the first to the last page. The plot offers many different side lines that could lead to the solution and the combination of having the story advance in the present and the flashbacks of the day in 1983 keep suspense high.
What I found most interesting was the dynamics between the friends. On the one hand, the group of six as teenagers where the cool ones lead and have their say, but also later as adults where they all found their place in life and in their small group. They made some wrong decisions out of fears that are understandable for teenagers, but they never corrected them as adults even though they had the chance.
Many twists and turns keep you guessing about what happened that night and in the end, it all is solved convincingly. For me, a perfect crime novel and a very entertaining read.
The last strike by the anonymous bullying group really hit Kat hard. She was never the popular girl with many friends, but at least online she could be the person she saw in herself, but now, that is taken away from her and she just wants to vanish, fade away. Her wish is granted, slowly her body becomes translucent, only Safa, sharing the same fate can see her. She quickly finds out that there are others, not just people who would like to be someone different and forget their old life and be forgotten, but people who actually faded away. However, there is still one thing she needs to do on earth: the bullies have found another target and she must stop them and therefore collaborate with one of them.
Admittedly, I wasn’t really thinking that the act of vanishing in the novel was meant “real”, yet, this unrealistic aspect is the only thing I wasn’t completely happy with. Apart from this, David Owen has really captured the emotions of teenager who feel like they don’t fit in, that they cannot lead the life they would like to have and the hardship of going to school and being exposed to the attacks of bullies.
I found both protagonists – Kat as the good, pitiable girl and Wesley who first seems to be her enemy but then turns out to be in a comparable situation – strong characters for the novel. They are easy to relate to and the problems they face are things most pupils might know from their everyday life. The novel also had some suspense that kept you read on and it surely made you think of how you treat your family members and how attentive you are concerning the people around you that you never really see.
All in all, I liked it and would surely recommend it to young people who are searching for their identity and place in the world.