Crime writer Claire McGowan has grown up in a small town in Northern Ireland which she always perceived as a safe place despite the Troubles. Of course, the news daily reported about bombings and people killed but what she hadn’t been aware of was the incredibly high number of girls and women who were abducted or simply vanished in both Northern and the Republic of Ireland. Some of the cases happened close to where she lived, happened to girls her age who roamed the same places when she did but she has never even heard of it. Only rarely was a suspect arrested and even more seldom convicted for rape or murder. How could the country have such a high number of women murdered and except for their families nobody seems to care?
I have enjoyed Claire McGowan’s crime novels for some years now, not only because the plots are suspenseful and complex, but also because she manages to capture the atmosphere of a place, to create a special mood that can only exist there. With her deep understanding for the people and the places they live and which shape their thinking and acting, I was curious to read her true crime investigation of femicides.
What her enquiry uncovers is not the Ireland that has attracted tourists and business for decades. It is a country that was shaped by the Catholic church and whose legislation was far behind other European countries in terms of women’s rights. With the Troubles, it was often safer not to have seen anything and, first and foremost, not to say anything, thus atrocious crimes could happen in broad daylight in front of everybody’s eyes. The deeper she digs the more cases she finds and can link to a small area, the so called “Vanishing Triangle”, where an astonishing number of woman have disappeared and whose cases remain unsolved.
McGowan tells the women’s stories, lists the evidence and also provides reasons why their bodies are still missing or why prime suspects still walk free. All this grants a look in the country’s state in the 1980s and 1990s – a lot has changed since, but still society and police often fail female victims today.
A read which is as interesting as it is disturbing. I really enjoy listening to true crime podcasts thus the topic attracted me immediately. What I really appreciated was that Claire McGowan did not take a neutral position towards her account but you can sense her anger and the incredulity with which she looks at her findings and which makes you wonder why not more people shout out because of this.
All her life Lucy has dreamt of the perfect wedding. It took her 18 months to plan everything to detail so that her nuptials to Jason would be the most spectacular moment. The wedding party arrives on the beautiful Greek island of Kefalonia already a couple of days prior to enjoy themselves and to prepare for the big day. Yet, from the start, things do not run as smoothly as expected. Lucy’s sister Jess appears with a stranger in tow, her parents behave strangely and her wedding planner Nina is asking repeatedly for the pay of the last bill which Lucy simply couldn’t settle as she has been overspending and is totally broke. It is only her best friend Shelly who supports her unconditionally. But this is only the beginning, with the strange woman Vivian, a doomy omen seems to have arrived at their luxurious hotel threatening not only to destroy the best day of her life but her whole family.
I have been a huge fan of Tammy Cohen for years and thus was looking forward to reading her latest novel. Again, she did not disappoint me but created a gripping plot which had me struggle to put the book down once I had started. Brilliantly crafted, suspense is high from the beginning as you know that something absolutely terrible is going to happen, yet, the big question is: what?
Lucy just wants her wedding to be perfect, not necessarily for herself, but much more for her Instagram followers and colleagues. She seems to be doing everything right except for spending money she does not have and not telling her husband-to-be about it. Her sister, on the contrary, is more on the rebel side of life not caring too much about outer appearances and following her own ideals. That she might spoil her sister’s wedding by bringing a total stranger does not really occur to her, it is just her way of having a bit of fun. Their parents, too, seem to have fallen apart, even though the girls do not have a clue why this might be. Just for the sake of the wedding, they all try at least to play their assigned role for a couple of days longer.
Even though it could be a carefree week under the sun, smaller and bigger secrets surface one after the other leading to an increasingly dense atmosphere among the party and opening up all doors for speculation about what might happen. From the police interviews interjected, you can only guess so much, but this is this theorising that makes reading the novel great fun.
Wonderfully depicted characters who all have their flaws and shortcomings mixed with a lot of drama and suspense – a perfect summer read.
Lucy Harper has achieved what many writers dream of: her detective novels about Eliza Grey have become highly successful and she built up a huge fan base. Her husband Dan supports her and takes care of their finances and everyday life. When he, without asking her first, decides to buy a house, she gets angry, even more so when she learns where exactly the house is located: close to where she grew up, next to the woods where her younger brother once disappeared and which she connects with her most dreadful nightmares. How could he do something like this, knowing about her childhood? Quite obviously, he is gaslighting her – that’s what Eliza tells her. Eliza, not only the protagonist of her novels but also the voice that has been in her head as long as she can remember. What has been useful for her writing now becomes complicated when Lucy struggles to distinguish between what is real, what is fiction and what is only in her head and when her husband is found murdered, the writer finds herself the main suspect of a story just like her novels.
I have several of Gilly Macmillan’s novels, always liking how she plays with the reader’s sympathies for the characters and the unexpected twists which keep suspense high. “To Tell You the Truth” is also masterfully crafted in terms of being vague and keeping you in the dark about what is real within fiction and what is only imagined by Lucy. Just like the protagonist, it takes a long time to figure out where the actual threat comes from, many different leads offer options for speculation which makes reading totally enjoyable.
Having a crime writer who finds herself suddenly suspect in a crime in which the police use her own writing against her, is a setting which has been used before. Yet, Gilly Macmillan added a lot of aspects to make the case much more complicated. On the one hand, the voice in Lucy’s head is quite strong and surely a negative character whom you shouldn’t trust. Again and again, Lucy also seems to suffer from blackouts thus opening the possibility of actions she simply cannot recollect and which therefore remain blank spaces also for the reader. The backstory of her vanished brother and the big question looming over all if she herself might be responsible for his likely death – maybe even willingly – also add to the unpleasant feeling that she might not be a victim in this story at all.
Her husband, too, raises many questions. He is, quite obviously, envious of his wife’s success since he also dreams of a career in writing but lacks talent. The bits and pieces of information one gets directly lead to the assumption of him gaslighting her. However, the possibility of Lucy getting it all wrong due to her hallucinations and the Eliza-voice is also in the air.
A creepy thriller which keeps you alert at all times. Even though I found the end a bit too simply for the plot, a fantastic read I totally enjoyed.
It’s been decades since Annibale Canessa and his brother Napoleone have last talked. Now, the later has been killed, together with Giuseppe Petri, former member of the Camorra and serial killer. Annibale quit his job as Carabiniere after his biggest success because it was obvious to him that he could only get one fish at the time, but police as well as jurisdiction were full of people collaborating with the mafia and far from providing justice. But now, he has to act since it is obvious that the murder of his brother will not be cleared up by official institutions. Together with his former colleagues, Canessa goes on a mission which is bloody and which will stir up dirt. A lot of things have changed since the 70s and 80s when Italy was in the hands of the criminal organisations, but unluckily not all.
Roberto Perrone is an Italian journalist and writer who amongst other wrote the biography pf Gianluigi Buffin, the famous goalkeeper. “The Second Life of Inspector Canessa” is the first instalment of the Annibale Canessa series which strongly reminded me of the “Mani Pulite” investigations of the 1990s when masses of crimes of industry leaders and politicians were exposed and the corrupt system uncovered resulting in the end of the Prima Repubblica.
Annibale has to start his investigation from scratch, neither has he an idea why his brother was killed or why he was together with the former camorrista nor does he dispose of any means to investigate. He only has his sharp mind, two loyal former colleagues and Carla, a journalist not only eager to collaborate but also attractive. They uncover several leads which do not add up, more people die and also the small group is attacked. Quite obviously, nobody wants them to dig deeper, not the police, not the jurisdiction, not the mafia. But Annibale has not only lost his brother, he has strong conviction which he follows.
A complex and suspenseful thriller which is totally entertaining but also disillusioning – it does not take much to imagine that all this could be true.
Two 12-year-old girls have been murdered, but except for their parents, nobody really seems to care about it. Maybe they had it coming, that’s how it is with girls their age, they should have paid more attention to whom they mingle with. Eve Taggert is not willing to simply accept that her daughter Junie has gone and nobody is hold responsible for the senseless death. What did she and her friend Izzy do in the park at that time and bad weather? She starts to ask questions even though her brother Cal, a policeman and close to the investigation, tries to keep her away and out of trouble which her private research soon causes. The more Eve learns, the closer she also gets to her own family and especially her mother with whom she had cut all contact before Junie was born because she never wanted to be like her. But in the course of the events, Eve must realise that she shares more traits with her mother than she ever expected.
Amy Engel’s mystery novel deals with the greatest horror that parents could ever go through: learning about the death of their beloved child and having the impression that nobody bothers to find the culprit and to bring him or her to justice. However, it is also about life in small and remote community where poverty and precarious standards of living are a daily occurrence. Growing up in trailer homes or small, run-down apartments where children only get a nook for themselves and see the adults drink alcohol or being addicted to drugs of all kinds – this is not the childhood one could ever wish for. Even if some want the best for their children, just like Eve, getting out of this isn’t as easy as it seems.
The story is narrated from Eve’s point of view which gives you a deep insight in the emotions she goes through. Not just losing her daughter and thus the sense of life, but she also falls back into old patterns she had given up and totally loses her footing. Even though she could not offer Junie much, she put an effort in her daughter’s education and she lead a decent life and loved her – more than she herself had experienced as a kid. To see such a woman being hit by fate is especially bitter.
Amy Engel does a great job in showing the development of Eve, going from being totally blinded by mourning and anger to gaining strength – even if she becomes a bit too reckless and headless at times – and in the end, fearlessly doing what she needs to do.
Notwithstanding that a lot is going wrong in the small town of Barren Springs, what I liked a lot is that the author did not paint the characters in black and white. The greatest villains do also show their positive and human sides – just as the “good” ones suddenly are capable of quite some crime. Albeit a murder investigation is at the centre of the novel, for me it was much more a psychological study of small town life and people who struggle in life. It does not lack suspense though and several unexpected twists and turns keep you reading on.
When Bahadur, one of his classmates, goes missing, nine-year-old Jai is determined to solve this case. He has watched so many episodes of Police Patrol that he knows exactly how such a problem is to be treated. Together with his friends Pari and Faiz, he starts to investigate around Purple Line and Bhoot Bazaar. Yet, more and more children and teenagers disappear from their basti and quite obviously, the police are not willing to do anything about it. The parents get either more and more afraid of their children being the next or angry as they feel helpless and powerless.
Deepa Anappara’s novel is a brilliant mixture of an oftentimes very funny plot and an absolutely serious topic. Daily, children go missing on Delhi’s streets without anybody taking notice of it. The life of a child, especially if she or he belongs to a minority, is worth next to nothing, not even the effort to take a note on it. Diverse cultures and religious racism play an important role in this, too. Boys and girls are treated differently and offered different chances in life. Born into the wrong family, you can only count on superstition for a better life since the boundaries are clearly set.
At the beginning of the novel, I totally adored Jai and his friends. They are vividly and wonderfully portrayed. Determined to find out what happened to their friend and equipped with their knowledge from true crime TV series, they start their investigation ignoring all warnings against the dangers that lurk around the bazaar. They take their job very serious and at the same time, just as kids do, ignore the facts that they live in the same slum but come from very different backgrounds.
With the number of children who disappear rising, the novel becomes increasingly serious and loses the light-heartedness of the beginning. The way a slum works becomes gradually more visible and thus, the novel grants insight in a world which is totally unknown to me.
The whole novel is sparkling with life, the characters are quite unique and lovable and it is totally understandable why the novel has been nominated on the longlist for the Women’s Prize for Fiction 2020.
Bea and Dan are frustrated with their London life and jobs and therefore decide to take a couple of months off. They start their tour across Europe in France where Bea’s brother Alex runs a hotel. Yet, when they arrive in the Burgundy village, it seems completely deserted. The hotel has never seen any guests and the house is completely run down. However, Alex is happy with the way things are. Bea is all but close to her family and when her parents announce to visit their children, she is all but amused. Dan cannot understand his wife’s hostility towards her parents, but there is a lot more that he doesn’t know and when they are hit by a major incident, he finally gets to know his real in-laws.
It’s the third novel by Sadie Jones that I have read and just like the other two before, again I really enjoyed her style of writing. The full extent of the story only slowly reveals and even though it is not a classic suspense novel, you know that there is a lot buried that will be uncovered sooner or later and you eagerly wait for it to show.
The strongest aspect were the complicated family ties. It is not clear at the beginning why Bea resents her parents so much, only when these two characters show up you start to understand her hatred and why she tried to cut all bonds. It is clearly a dysfunctional family in all respects: a strong and stubborn father who, self-centred as he is, just ignores the needs of the other family members and egoistically subordinates all to his wishes. The mother, however, is rather weak and clearly has a very unhealthy relationship with her children, even though they vary a lot. Alex and Bea seem to get along quite well even though there is a big gap in their age, yet, their different attitude towards the parents makes it impossible for them to really unite.
And the novel is about money. It is difficult to talk about it without revealing too much of the plot, thus, quite obviously, it doesn’t really help to make you happy. Even if you got masses of it. All in all, a very compelling read that I enjoyed a lot.
London, 1915. Lord Murcheson has been stabbed and murdered in his house, his wife Lady Harriet was found there wounded, too. She claims to have committed to crime with a pair of scissors, which is highly unlikely due to her severe injuries. While Lady Harriet is fighting for her life at the hospital, Chief Inspector Peter Beech takes over the case. The city is at war and thus, men are scarce with the Metropolitan Police. Beech has quite an innovative idea which seems to be more than reasonable for the case at hand: he wants to employ women for the investigation. Thus, Victoria Ellingsham, trained in law, and medical doctor Caroline Allardyce join the small team of Beech, charming ex-boxer PC Billy Rigsby and former Special Branch Arthur Tollman. While London is under attack of the Germans, the unusual squat investigates the case, comes across masses of legal and illegal drugs, prostitutes and the abduction of a young girl who worked in the Murcheson household.
“Murder in Belgravia” follows the lines of classic murder cases in the style of Agatha Christie. The most striking about the novel is the atmosphere. Not only is the situation of World War I convincingly portrayed with the city under fire at night and the shortage of men for the police and other forces, but you also feel yourself transported back to the times when lords and ladies lived in a completely different world which only scarcely overlapped with average or lower class people.
The case itself has to be solved without any modern forensics or other sophisticated medical or technical means which I liked a lot. It is due to a quick-witted intellect and particularly the women’s sharp observation that they can assemble the necessary pieces of evidence to rumble the murderer.
Lynn Brittney’s book is a cosy crime novel that I really enjoyed to read. She has created awesome characters of whom I would like to read more.
It‘s been ten years since their legendary summer holidays in France. Now, the six friends reunite in London. They have all pursued their careers, found new partners and almost forgot what happened on their last day in France that summer. The French girl who spent a lot of time with them went missing, already back then a murder investigation was set up by the French authorities, yet, without success. But now, her body has been found, buried in a well on the premises and she obviously did not fall into it by accident. Kate does not have a clue what might have happened, she only remembers her quarrel with her then boyfriend Seb. But now things are different and soon, Kate finds herself prime suspect in a murder case.
Lexie Elliott tells the strange murder case only from one point of view, Kate’s, which adds a lot to the suspense of the novel. Kate is telling her story, we, as the reader, only know what she knows, we only get her thoughts and thus are limited in getting the whole picture. Additionally, during the course of the story, you start doubting your narrator – is Kate reliable or is she lying to us and leading us to false clues? I liked this play with uncertainty and the fact that only bits and pieces of the whole story are revealed.
The strongest aspect of the novel are the characters. First of all, Kate who is quite lively drawn, second and even more interesting is Caro whom you cannot trust which is obvious right from the start. But also the other characters are suspicious, Kate’s friend Lara and her affair with the French investigator or Tony who is making advances towards Kate. The story itself, however, does not advance at a high pace, at times you wait impatiently for something to happen. The fact of only giving one perspective, on the one hand, adds to the suspense, on the other, it temps to skip pages you to learn what actually happened because the information you get is quite limited. The end and the solution was not really convincing for me, for me, the motive was too weak to justify such an act.