Julia May Jonas – Vladimir

Julia May Jonas – Vladimir

The unnamed 58-year-old narrator and her husband John have been teaching in the English department of a small college for years. From the start, they have found a relaxed way in their relationship, not asking too many questions, but being good partners and caring for their daughter. Now, however, a group of former students accuses John of having abused his power to lure them into affairs. At the same time, a new couple shows up at the college, Vladimir and his wife, both charismatic writers who both fascinate equally. The narrator immediately falls for Vladimir, even more after having read his novel, a feeling she hasn’t known for years and all this in the most complicated situation of her marriage.

Admittedly, I was first drawn to the book because of the cover that was used for another novel I read last year and liked a lot. It would have been a pity to overlook Julia May Jonas’ debut “Vladimir” which brilliantly captures the emotional rollercoaster of a woman who – despite her professional success and being highly esteemed – finds herself in exceptional circumstances and has to reassess her life.

Jonas’ novel really captures the zeitgeist of campus life and the big questions of where men and women actually stand – professionally as well as in their relationship. Even though the narrator has an equal job to her husband, she, after decades of teaching, is still only considered “his wife” and not an independent academic. That she, too, is highly affected in her profession by the allegations against her husband is simply a shame, but I fear that this is just how it would be in real life.

They had an agreement on how their relationship should look like, but now, she has to ask herself is this wasn’t one-sided. She actually had taken the classic role of wife and mother, caring much more for their daughter while he was pursuing his affairs. They had an intellectual bond which was stronger than the bodily but this raises questions in her now. Especially when she becomes aware of what creative potential her longing for Vladimir trigger in her.

A novel which provides a lot of food for thought, especially in the middle section when the narrator is confronted with professional consequences due to her husband’s misbehaviour. The author excellently captures the narrator’s oscillating thoughts and emotions making the novel a great read I’d strongly recommend.

Lara Williams – The Odyssey

Lara Williams – The Odyssey

It’s been five years now that Ingrid has left her husband and former life to work on board the luxury cruise liner WA. She regularly has to rotate between the different departments and thus has become an expert of the ship and knows every corner. With Mia and her brother Ezra, she has befriended two colleagues with whom she passes her limited free time. When she is selected for a mentorship programme and promoted to manager, things become more complicated between them, Mia is obviously envious of her friend’s new position. Yet, Ingrid is not sure if she can fulfil the high expectations of Keith, captain and guru of the team. But she is willing to give all – and that is more than you could ever imagine.

After having finished reading “The Odyssey”, I was left wondering and confused. Lara Williams’ novel was a hilarious read until it wasn’t anymore. It is somehow a totally exaggerated caricature of the cruise ship and well-being industries and on the other hand, from the middle of the novel on, I was wondering if the plot actually takes place on a cruise ship or if much rather the staff are actually patients of a psychiatric ward for whom the “cruise ship” is a kind of simulation of real life.

The cruise liner offer all a tourist might want to ask, there is no need to leave it since you have several restaurants serving all tastes, all kinds of shops and treatments to make your stay a perfect break-out. It doesn’t matter that the staff is hardly trained, they are friendly and the guest is king. Just as the employees are pretend-professionals, all aboard is just fake and serving a superficial image of perfection. Had social media not been invented yet, this cruise liner would surely underline the need for it.

Ingrid’s past is slowly revealed throughout the novel. That she more or less fled her former life is obvious, however, the reasons remain in the dark for a long time. The non-life she leads has become the perfect escape and spending hours in her small cabin staring at the ceiling is all she wants to do. The mentorship programme forces her to get out of her cave and think about herself and her life. Keith is the ultimate travesty of a guru. His concept is quite limited but with enough cold water and matcha tea he can create a spiritual atmosphere to impress his underlings.

This might all be very funny if it wasn’t for the fact that it seemed much too real to me. Even though the cruise ship is a special setting, what happens there is not too far from our life that has become more online fake than real for many and where behind the sparkly facade, you can find highly insecure and troubled people. Reckless gurus can easily become leaders spreading their nonsense and making masses of people follow their rules not matter how senseless.

A novel you can laugh out loud while reading but which leaves you with an uneasy feeling when thinking about what you’ve just read.

Claire Vaye Watkins – I Love You But I’ve Chosen Darkness

Claire Vaye Watkins – I Love You But I’ve Chosen Darkness

When does a postpartum depression end and a real depression begin? The narrator – coincidentally with the same name and profession as the writer – is exhausted after giving birth. Flying to Reno for a book reading and leaving everything and everybody behind seems to be a good way out of the daily chores for a couple of days. Yet, she decides not to return but to reconnect with her hometown in the Nevada desert. Many people she had forgotten turn up and bring back memories and she questions the road she has taken since she could have chosen a completely different one.

Admittedly, the blurb sounded intriguing and I have read several reviews praising Claire Vaye Watkins’ novel “I Love You But I’ve Chosen Darkness”. However, for me, it didn’t really work. It is experimental in form and quite often there are lengthy quotations I had difficulties linking to the plot. The narration is strongest when we learn about the new mother’s struggles with her role, the new situation and the feeling of being fatigued. The rest seemed to be a bit messy which might well reflect the narrator’s – any maybe author’s – state of mind.

The book might best be described as an odyssey in which the narrator sails through time and space, searching for her identity which seems to have gone lost with childbirth. She could stop her journey at any moment and go back to her husband and daughter, but she doesn’t. She knows that there will be some nasty encounters and she will see places she only wanted to forget, but something drives her to continue.

Neither could I sympathise with the narrator nor could I really make sense of her adventure. It might be a question of hormones that you can only really understand if you have been in a comparable situation.

Virginia Feito – Mrs March

Virginia Feito – Mrs March

Mrs March leads the classic life of a New York upper class housewife and mother. Her husband George is a successful writer whose latest novel has catapulted him to the top of the bestseller list. Mrs March was raised to this life, from her childhood on, she has learnt how to behave in society and how to present herself and her family in an adequate way. Yet, her whole life has somehow become only a scenery of a life and she has lost herself. When a young woman’s body is found, she is intrigued and soon she finds more and more evidence that her husband’s inspiration might not just come out of himself and his imagination but might actually stem from actual experience. Is she sharing her bed with a murderer?

Virginia Feito’s debut novel “Mrs March” is an intense psychological study of a woman who has lost connection to reality and is gradually plummeting into an abyss. Brilliantly the author shows how a strongly self-controlled character more and more loses power over her life and in the end can hardly distinguish between what is real and what is only imagined.

It is quite clever how the protagonist is presented to the reader, she is only ever referred to as “Mrs March” thus defined by her status as a married woman and without a first name. She is not given anything that she brings into the marriage from her childhood. From her flashbacks you learn that her parents treated her rather coolly and that she has always felt like not doing anything right, not being the daughter they had hoped for, not fulfilling the expectations, until, finally, they can hand her over to her husband. The only persons she could bond with was her – rather malicious – imagined friend Kiki and a household help, yet, she couldn’t cope with positive feelings since this concept was totally alien to her.

Behind the facade of the impeccable woman is a troubled mind. First, it is just the assumption that people talk behind her back, compare her to her husband’s latest novel’s protagonist – not very flattering since this is a prostitute who is paid out of pity instead of for good service rendered – then she sees cockroaches and finds more and more signs which link George with the murder of the young woman the whole country is talking about. From her point of view, it a fits together perfectly, but she does not see how she herself increasingly fractures. Most of the plot happens behind closed doors, she does not have friends or family she is close to, thus, there is nobody to help her.

As readers, we know exactly where she is headed to and then, Virginia Feito confronts us with an unexpected twist which lets you reassess what you have just read. The distinction between reality and paranoia sometimes isn’t that clear at all.

A wonderfully written, suspenseful kind of gothic novel set in New York’s upper class whose signs of class affiliation are repeatedly mocked while also showing that not all is well just because you live in a posh apartment and can wear expensive clothes.

Taylor Jenkins Reid – Malibu Rising

Taylor Jenkins Reid – Malibu Rising

It started out as a love story, but Mick Riva wasn’t made for loving only one woman, he was first of all made for a career in the music business and that’s what he did. His wife June though was made for loving but since her husband was absent, she only had to love her kids. The first born Nina, and the second, Jay, and the third who wasn’t her kid at all but she couldn’t just turn her back on Mick’s son Hud who was abandoned by his mother. And last but not least Kit, born long after her parents’ relationship had already fractured several times. While Mick was away, June took care of the kids until she couldn’t anymore, then quite naturally, Nina took over. Now, as a successful model, she is preparing for the legendary annual Riva party in her home in Malibu. Even though they have been having this party for many years, this year will be different and at the end of the night, nothing will be the same anymore for any of the Riva family.

I totally adored Taylor Jenkins Reid’s novel “Daisy Jones & The Six“ which was totally lively and got be hooked from the first page. He latest book “Malibu Rising” had exactly the same effect. Her protagonist Nina, whose day of the big party is told alternatingly with the family’s story, is a strong character in a very special way. Her most striking feature surely is to take over responsibility and to do what needs to be done while totally forgetting that she, too, has the right to live. But instead of thinking about herself, she simply cares for the people around her, especially her younger siblings.

While everybody is preparing for the party, the biggest event every summer which is not to be missed by anybody important, Nina strikes a balance of her life so far. She made the maximum of the rather poor baseline. She has become one of the most demanded sports models, idolised by masses of people, her younger brothers are just starting their careers and also the baby of the family is going to fledge the family nest and to make herself noticed and a name. Their father has only ever existed at the edge of their life, it was their mother June who put herself last to make her children feel loved and have a good life despite all the adversities. Now, however, seems to be the moment for a big change.

Another set of unforgettable characters who know what is important in life and underline that there is nothing that will bring you down as long as you’ve got the ones who love you around. Even though nothing could be further from my life than surfing, I liked the passages where the author describes how the kids feel in the water and how surfing provides them with an unknown feeling of freedom.

The perfect summer read which is not at all the light feel-good novel but much rather a great story simply to indulge in.

Jo Spain – The Perfect Lie

Jo Spain – The Perfect Lie

Erin and her husband Danny are the perfect couple and still totally in love when, one morning, Danny’s partner appears unexpectedly at their door and Danny jumps to death. When Erin starts asking questions about the why, the police remain quiet, she only learns that there must have been some internal investigation and that obviously her husband wasn’t the good cop she has always assumed. Yet, a lot of things are strange and when Erin is approached by a guy named Cal who tells her that she shouldn’t believe the rumours because Danny wanted to help his sister against all obstacles within the police, she does not know what to believe anymore. Eighteen months later, she finds herself in court – charged with murdering her husband. How could things turn out so badly?

Again, Jo Spain has created a suspenseful novel in which nothing is as it appears at first glance. “The Perfect Lie” is not just around one lie, but around many lies, things left unsaid, bits and pieces which form a perfect picture but couldn’t be farer from reality. Since the story is narrated at different points in time, you quite naturally interpret the action based on what you know at that moment, just to learn a bit later that all your assumptions were totally wrong since you were lacking that relevant piece of information.

Erin is in her early thirties when she is confronted with the most tragic event imaginable: witnessing her husband committing suicide. Yet, this does not leave her grieving in shock and incapable of action. However, her questions are greeted with rejection and she is treated in the most horrible way by the police and her husband’s former colleagues and friends. No wonder she turns to the people who are willing to help her and one can only wonder why so many behave in this way. Suspense, however, is mainly created by the fact that she finds herself accused of murder only months later. As a reader, you witness the moment Danny decides to take his life, all is clear so quite naturally, it is totally unbelievable how this could have been turned against the widow. How far would police go to cover any trace of misconduct?

I was gripped form the start and couldn’t put down the novel once I had read the first chapter. Spain perfectly plays with our conviction to understand a situation based on the bits of information we have just to demonstrate that maybe we came to a conclusion a bit too quickly since things are not always what they seem. A superb read that I thoroughly enjoyed.

Gilly Macmillan – To Tell You the Truth

Gilly Macmillan – To Tell You the Truth

Lucy Harper has achieved what many writers dream of: her detective novels about Eliza Grey have become highly successful and she built up a huge fan base. Her husband Dan supports her and takes care of their finances and everyday life. When he, without asking her first, decides to buy a house, she gets angry, even more so when she learns where exactly the house is located: close to where she grew up, next to the woods where her younger brother once disappeared and which she connects with her most dreadful nightmares. How could he do something like this, knowing about her childhood? Quite obviously, he is gaslighting her – that’s what Eliza tells her. Eliza, not only the protagonist of her novels but also the voice that has been in her head as long as she can remember. What has been useful for her writing now becomes complicated when Lucy struggles to distinguish between what is real, what is fiction and what is only in her head and when her husband is found murdered, the writer finds herself the main suspect of a story just like her novels.

I have several of Gilly Macmillan’s novels, always liking how she plays with the reader’s sympathies for the characters and the unexpected twists which keep suspense high. “To Tell You the Truth” is also masterfully crafted in terms of being vague and keeping you in the dark about what is real within fiction and what is only imagined by Lucy. Just like the protagonist, it takes a long time to figure out where the actual threat comes from, many different leads offer options for speculation which makes reading totally enjoyable.

Having a crime writer who finds herself suddenly suspect in a crime in which the police use her own writing against her, is a setting which has been used before. Yet, Gilly Macmillan added a lot of aspects to make the case much more complicated. On the one hand, the voice in Lucy’s head is quite strong and surely a negative character whom you shouldn’t trust. Again and again, Lucy also seems to suffer from blackouts thus opening the possibility of actions she simply cannot recollect and which therefore remain blank spaces also for the reader. The backstory of her vanished brother and the big question looming over all if she herself might be responsible for his likely death – maybe even willingly – also add to the unpleasant feeling that she might not be a victim in this story at all.

Her husband, too, raises many questions. He is, quite obviously, envious of his wife’s success since he also dreams of a career in writing but lacks talent. The bits and pieces of information one gets directly lead to the assumption of him gaslighting her. However, the possibility of Lucy getting it all wrong due to her hallucinations and the Eliza-voice is also in the air.

A creepy thriller which keeps you alert at all times. Even though I found the end a bit too simply for the plot, a fantastic read I totally enjoyed.

Danielle McLaughlin – The Art of Falling

Nessa McCormack and her husband Philip have just sorted out their marriage after Philip’s affair when ghosts of the past reappear. Her former best friend’s son Luke and his father Stuart appear out of nowhere after almost two decades without any contact. After Luke’s mother’s suicide they did not stay in touch, not only because times where difficult but also because Nessa and Stuart had a brief affair. Also at work things become complicated when Nessa is curating an exhibition of sculptor Robert Locke and a mysterious woman appears who claims to have created the most impressive piece of the exhibition. Yet, Locke’s widow and daughter claim to have provided all materials and never to have heard of the woman. However, she has set her mind on finally being recognised as an artist.

The most striking about Danielle McLaughlin’s novel is the protagonist and her development throughout the story. Apart from this, the dynamics between the characters is also remarkable, set in motion by the classic sins which you can find almost all in the novel: pride, lust, greed, wrath, sloth – you name it. They have always belonged to mankind, so why not to 21^st century characters, too?

At the beginning of the novel, Nessa is on the one hand disappointed and fells devalued by her husband since he not only had an affair but chose a woman who isn’t even the slightest attractive in her opinion. On the other hand, her husband’s misconduct brings her into a morally superior position which she quite unashamedly exploits. She has got a big project in her job which will automatically come with a lot of kudos, undoubtedly, she is good at what she’s doing and an expert of the sculptor she curates. But small lapses leave cracks and with the appearance of the mysterious woman, the cracks start to deepen and threaten her reputation. At the same time, her daughter first seems to be on her husband’s side – the cheater! – and then openly opposes her mother to take sides of the other woman. There is not much left in her life which works according to plan and Nessa becomes increasingly irritable – until a secret, well-kept for many years – suddenly surfaces and threatens to destroy it all.

A lot of moral questions are addressed in the novel without providing simplistic answers or role models. The dramatic structure also creates the suspense that keeps you reading on.  A compelling read I thoroughly enjoyed.

Annabel Lyon – Consent

Annabel Lyon – Consent

Saskia and Jenny are twins but only equal in looks, their personalities could hardly differ more. Where Saskia is diligent and studious, Jenny enjoys life at the fullest and is always looking for some more thrill. Only a car accident in which she is seriously injured can put an end to her posh and impulsive lifestyle and brings the sisters back together. Mattie and Sara are sisters, too, the first with an intellectual disability, the second striving for academic success and the life she knows from stylish magazines. The latter sister pair, too, moves apart only to be forced together by fate again. Looking for reasons behind the tragic events, Saskia and Sara recognise that there is an unexpected link between them which goes far beyond the parallels of their sisterhoods.

I totally adored the first half on Annabel Lyon’s novel. Showing four young women emancipating themselves, developing personalities and ideas of who they want to be and how they want to live their life was wonderful to read. Even though the parallels show quite from the start, they are two quite unique sets of siblings which do have complicated but nevertheless deep bonds. Especially when Saskia and Sara come to the critical points in their sisters’ lives, they themselves are hit to the core, too, and have to make far-going decisions which also deeply impact their own lives. Throughout the novel, we see a great elaboration of characters with very authentic nuances and facets.

The second half did not convince me that much which, I assume, was mainly due to the fact that the central aspect of the relationships between the sisters was lost by then. Even though here the link between the two pairs was established and some secrets revealed, I found it lacked a bit of depths.

I found the title quite interestingly chosen, very often, “consent” is immediately associated with relationships and intercourse, but in the novel, however, also other aspects, e.g. to what extent the sisters approve of each other’s choices and decisions is explored. Especially Saskia investigates her sister’s life and by walking in her shoes, detects new sides of herself.

Marie Benedict – The Mystery of Mrs. Christie

Marie Benedict – The Mystery of Mrs Christie

An abandoned car brings the police to Styles, the famous residence of Agatha and Archibald Christie. The famous writer has gone missing after a fierce quarrel between the couple during breakfast. Archie does not seem concerned at all and he is astonishingly reluctant to cooperate with the investigators. For the detectives, his behaviour is highly suspicious and even more so when they uncover an affair he has had for quite some time and because of which he asked his wife for a divorce. Yet, all this information is not really helpful in determining the whereabouts of the grand dame of crime. This is one way the story can be told, but maybe there is also a completely different version.

“Then the phone rang, shattering my lonely vigil. When I picked it up, I nearly cried in relief to hear a familiar voice. But then the voice spoke. And in that moment, I knew that everything had changed.”

Agatha Christie’s disappearance in December 1926 is, due to broad media coverage, a well known fact. However, the mystery has never been really solved and the crime writer herself did not comment on what actually happened during the ten days of her absence. Marie Benedict, by whom I already totally adored the portrait of Hedy Lamarr in “The Only Woman in the Room”, fills this gap with a very clever story which especially enthused my due to the tone which perfectly copies the crime writer’s style.

The narration tells the events of two points in time alternatingly. The first recounts how Agatha and Archie met, their first years during WW1 and their quick marriage which is immediately followed by darker years stemming from Archie’s depressive and dark moods. The second point of time follows the events after her disappearance. The first is shown from Agatha’s point of view, the later gives more insight in Archie’s state of mind thus revealing a lot to the reader but at the same time, omitting very relevant pieces of information which keeps suspense at a high level.

Even though it is a mystery, it is also the story of a woman who wants her marriage to succeed, who is willing to put herself and her daughter second after her husband’s needs and who fights even though there is nothing to win anymore. However, she does not breakdown but emerges stronger and wiser since she used her cleverness and capacity of plotting to free herself of her marital chains.