When her father dies, he leaves a wish in his will that Leslie Flores hasn’t expected: she will only inherit the money if her sister Robin also signs the papers. So she sets out for Las Vegas where Robin is supposed to live. They haven’t talked for a decade and Leslie is all but looking forward to do so now. But when she finally arrives at her sister’s apartment, she finds her dead and apparently, Robin has lived there under a false name. When Leslie makes the acquaintance of young charismatic Mary who dreams of a career as an actress, an idea forms in her head: why not take the woman with her back to Albuquerque and have her play Robin’s role for a couple of days? Nobody has seen her sister for ten years and Mary has some clear resemblance to Robin, so why should anybody become suspicious? It’s is a win-win situation, Mary could take her share of the money and make her start in Hollywood and Leslie would get her part of her father’s inheritance. Mary agrees but soon she realises that the respectable wife and mother also has some secrets she hides.
Tanen Jones’s “The Better Liar” is a highly surprising psychological novel with many unexpected twists and turns. The two protagonists develop from average women into enemies who fight their war on a very high emotional and psychological level. The story is told alternately from their different points of you, thus the reader is always aware of their respective plots and ahead of each character – at least you believe you are, but at certain point you also have to recognise that there are some highly relevant pieces of information they did not reveal to you and this makes things appear in a totally different light.
The novel starts at a rather slow pace with Leslie looking out for her sister and then finding her dead and seeing her father’s money in jeopardy. You wonder why she would take a stranger to her house, especially a house with a very young kid – this seems to be too dangerous, just for the money? Why does she need it, seemingly, she and her husband lead quite a good life. This and the question if she really succeeds with presenting a stranger as her sister seem to be the mystery of the novel, yet, with Mary’s arrival in Albuquerque, the real story slowly unfolds and the plot takes up pace and becomes much more dynamic and gripping.
Tanen Jones wonderfully leads the reader into wrong directions over and over again which I liked a lot. I totally adored how the two women play with each other and was eagerly awaiting the end to see who would finally win their very special game. Yet, some twists lacked a bit plausibility, but from a psychological point of view, a great read.
Two sisters who could hardly differ more. Mickey has always been the serious, more diligent one who went to school eagerly and was dreaming of a better life than the one they had at their not very loving grandmother’s. Kacey, eighteen months her junior, has always been the wilder, more adventurous girl who early pushed against the boundaries. Now, as grown-ups, they find themselves on opposing sides: Mickey has become a cop with the Philadelphia police, Kacey is highly addicted and working on the street. Mickey always has an eye on her younger sister even though they haven’t been talking for years. When several young and vulnerable women are killed, Mickey is highly alarmed since she hasn’t seen Kacey for several weeks.
Liz Moore‘s novel is a brilliant combination of a mystery novel with the search for a serial killer and a very sad story about a dysfunctional family where problems are handed from one generation to the next and where an escape is not really possible not matter how hard you try. Even though it looks as if there were clear sides, the good sister Mickey and the bad sister Kacey, you realise soon that life isn‘t that easy and that both women are more like different and changing shades of grey.
Mickey is a great protagonist in so far as she has a lot of interesting traits to offer. On the one hand, she is the hard working single mom who only wants the best for her son and constantly fears that she cannot live up to her own expectations. As a policewoman, too, she seems to do a great job, her family history helping her to understand the situation of the less favoured by life and those on the streets. That she suffers from constant misogyny in the forces does not really astonish. Yet, there are also other sides of the young women which only slowly unfold and show that there are a lot of lies she has been told by the people around her, but also lies that she told herself to shape the things in the way she wants to see them.
The mystery parts about the serial killer and the search for the sister are full of suspense and have some unexpected twists and turns to offer. What struck me most was the feeling that a lot of what Moore narrates is actually very sad, none of the characters has much to look forward to in their life and all seems but too authentic. A novel which provides entertainment but also much to ponder about after the last page thus something not to be missed.
Kelly’s childhood was all but easy. Her father was never at home and her mother didn’t care about her at all, her whole focus was on the foster children who came and went off again. When Kelly was eight, she was promised a sister, this time to stay with them forever. Freya, two years her senior, turned out to be a very headstrong and reckless girl who soon took over control and manipulated Kelly’s mum. This is why Kelly was not too sad when she did not return after a stay at a hospital. Yet, a couple of years later, Freya is back, but now, Kelly is older and not the weak girl who puts up with everything anymore. However, all these are stories of the past, by now, Kelly has a loving husband and three wonderful kids. But, when strange things start to happen, Kelly is unsure whether to blame the lack of sleep or if she is reading the signs correctly. Is Freya back? But she saw her die, this cannot be, can it?
Wendy Clarke’s thriller “We were sisters” keeps the reader a long time in the dark. The story is narrated at two periods of time, on the one hand, the adult Kelly who tries to cope with three children and the constant fear that something from the past might endanger her lucky little family; on the other hand, her memories of the past, the disturbed family she grew up in and the encounter with her foster sister Freya. Thus, it takes some time to sort out what happened and to form an idea of what the signs she sees might mean actually. The author, however, has to offer some twists and turns which come quite unexpectedly.
I adore those stories where there is a creepy feeling that there is a threat coming from somewhere without the characters knowing where to look for it. I was really surprised by the ending as it all turns out quite differently from what I had in mind – brilliantly done. Nevertheless, even though it all makes totally sense, I had the impression that it was a bit too much. Also Kelly’s relationship – or rather: non-relationship – with her parents seemed a bit exaggerated to me, just as her feeling of being threatened without a real reason before all the strange things started to happen. Yet, I enjoyed Wendy Clarke’s writing a lot, she certainly knows how to keep you hooked.
A double murder shakes the small seaside town of Tilby. Heather, a 32-year-old mother of a small boy has killed Clive Wilson, 58, and his mother Deirdre, 76, in the early hours before attempting suicide. But why did she do it? Did she even know them? Her mother is devastated and so is Heather’s childhood friend Jess, now a journalist with a newspaper in Bristol. For almost twenty years, they had not been in contact, but now she is reaching out to the family Jess once regarded as her own. How can one single family be stricken by fate that often? Heather’s father was killed in an accident when a gun was fired, her older sister Flora went missing at the age of sixteen, and now this. There’s something rotten, obviously, but can Jess figure it out?
Another page-turning mystery by Claire Douglas that hooked me immediately. I had high expectations that were totally fulfilled: many mysteries to solve, twists and turns, unexpected links and whole lot of characters that are not to be trusted. Just what you would expect from a great thriller.
What I liked most about the story were the secrets that everybody keeps, those small things that seem to be without any importance but suddenly become crucial but then it’s already too late to tell them. And then, people have to live with the knowledge that they are keeping some major facts that when being told could have saved somebody or prevented a lot of things. The plot is quite complex, at the beginning it all seems quite obvious, yet, the more it advances the more characters are added and the more multi-layered it becomes. Whenever you think you have seen through it all, your theory simply crumbles and falls – and this works out until the very last page.
It’s been twenty years that Tikka Molloy fled her Australian home. Now that her sister is seriously ill, she returns not only to her family but also to a secret that the girls have kept for two decades. They have always been friends with the three van Apfel girls who just lived across the street, Cordelia, Hannah and Ruth were their closest friends that they confided in. And so did the Molloy girls. This is why they shared their plan of running away. But something went totally wrong. Tikka’s older sister Lauren was to go with them, but somehow they miss each other at their agreed meeting point and a few days after they ran away, only 8-year-old Ruth turned up again. Dead. Returning home brings back all the memories of the weeks before the van Apfel girls’ disappearance.
Felicity McLean’s novel mixes different topics and genres. On the one hand, it is a coming-of-age novel, the girls all have to face the fact that adults can be evil and that sometimes are not to be trusted. On the other hand, it is also a mystery novel, you don’t know what really happened, if the girls might still be alive. And it is a study in how to live with the knowledge that behaving in a different way in a certain situation might have made a big difference.
As other reviewers have pointed out before, yes, while reading you have the impression of having read it before. There are certain parallels to other novels such as “The Suicide Sisters” and much of the plot has been treated in similar ways before. Yet, I liked to read it anyway especially because McLean manages to convincingly get the tone of eleven-year-old Tikka who is at times naive but always good-hearted and well-meaning. A perfect beach read that I thoroughly enjoyed.
Korede and her sister Ayoola live in Lagos together with their mother since their father dies. Korede, who works at a hospital as a nurse, is a decent, but rather plain young woman whereas Ayoola always has all the looks on her. Even though the sisters couldn’t hardly be more different, they are sister after all so when Ayoola calls her, it is without any question that Korede shows up with some bleach to wipe away the mess of another murder. They have done it before and will also succeed this time. Why does she have to kill all her boyfriends? Korede wonders but since none of the was really important to her, she remains secret and the sister she is supposed to be. But when Ayoola starts dating to one man Korede really likes, things become a bit more complicated.
Oyinkan Braithwaite’s debut novel is a hilarious read full of absurd situations and fantastic characters. The author, who graduated in Creative Writing and was a 2016 finalist for the Commonwealth Short Story Prize, surely knows how to create outstanding characters and how to combine humour with an actually very serious topic. What I appreciated most is how she, on the surface, wrote a funny story that, beneath, offers so much crucial and grave issues. What it all comes down to after all is the well-known fact that blood is thicker than water and that without any question, you know which side you have to be on.
Ayoola is a serial killer – absurd as it may sound, the title is absolutely clear about it and after the opening scene, you know all about her killings. Yet, this is one of the least interesting aspects, much more remarkable is the sisters’ relationship: jealousy, love, anger, hatred, support – the full spectrum of emotions. Of course, it is Korede that the reader commiserates, she is obviously the good girls that nobody notices, neither their parents nor the men. I wondered if Ayoola suffered from some kind of mental illness, she somehow does not really seem to realise what she does, but she definitely is rather egocentric and not very considerate when it comes to other people’s feelings.
“My sister, the Serial Killer” is a black comedy that should not be taken too seriously I guess. It is a great read that I utterly enjoyed. I am absolutely looking forward to reading more from the author.
21-year-old Freya is not very happy with her life as it is: she is still living together with her ex-boyfriend Julian, her job just serves to earn money but is not actually promising a career and she still misses Judy who first was a friend and then moved in with Freya and her mother and became something like a real sister. When Julian is not interested in the latest technological device from his father, Freya accepts to use the high-tech personal assistant. Since she is still longing for Ruby who went missing without any trace, the assistant is modelled according to the young woman’s features: it can copy her voice, react just like Judy reacted and knows everything about Freya and Ruby. Can this virtual version of her sister also lead to the one in flesh and bone?
Since technology becomes more and more present in our everyday life and since we rely increasingly on our smart phones to do the thinking for us, the idea of this futuristic personal assistant was quite intriguing. Especially since we tend to ignore the negative side effects of handing over more and more data to these uncontrollable technical devices.
However, the novel did not hold up to the high expectations. I liked Freya’s first steps with her new assistant; her incredulously questioning where this machine got all the information from and how she slowly loses control over her life were portrayed in a really authentic way that is easy to imagine in the very near future. Then, however, the more the plot progresses and the more the whole story becomes a kind of computer game in a virtual reality environment, it was a bit too much for me. I am all but into computer games and not at all interested in any virtual realities where completely different rules apply and the unthinkable is possible. Thus, the moment we lost the track of reality I was more or less out. This might work better for those readers who are really into VR.
All in all, an interesting concept, yet a bit too unrealistic for my liking.