Jess is the absolute role model of a mother, her friends have always admired her diligence and devotion to care for her two sons. When she unexpectedly gets pregnant with a third kid, her husband is over the moon but she does not really share his enthusiasm, she knows how demanding kids can be even for a home-stay-mom. When Betsey indeed turns out to be a rather challenging child, Jess loses her temper, the less she can control the girl, the easier she freaks out until she even gets close to wanting her dead. Her friends Liz, a paediatrist, senses that things do not go too well, but with her own kids and her job, she does not have the time to really take look into the situation. When one evening Jess turns up in the emergency room with Betsey showing obvious signs of neglect and being severely hurt, Liz is trapped between being a friend for Jess and informing the police. How well does she actually know what is going on at her friend’s home?
Sarah Vaughan masterly plays with truths, half-truths and all the things her characters consider truths. Told from different points of view, the reader over and over again gets caught in a trap by making sense of what you know and deciding on what and how the tragic incident happened. Forget it, you are completely wrong since – just as in real life – there is so much more.
Even though the main focus is on the one big question around Betsey’s injuries, the author addresses a lot of questions going far beyond the crime plot. The struggle of women who feel pressure to be the perfect wife, perfect mother, have a successful career and who easily prepare parties with exquisite food is palpable throughout the novel. The four women at the centre all struggle with complying with expectations and their very own goals and ideals. Showing weakness does not seem to be an option, just like asking for help and thus, precarious and even dangerous circumstances are silently endured. Additionally, the question of how far a friendship should or must go is tackled. Liz’ remorse is easy to understand and certainly nobody could ever wish to get into such a situation.
I totally adored the novel, after “Anatomy of a Scandal”, another thoroughly convincing plot with authentic characters and a lot of suspense.
When Bahadur, one of his classmates, goes missing, nine-year-old Jai is determined to solve this case. He has watched so many episodes of Police Patrol that he knows exactly how such a problem is to be treated. Together with his friends Pari and Faiz, he starts to investigate around Purple Line and Bhoot Bazaar. Yet, more and more children and teenagers disappear from their basti and quite obviously, the police are not willing to do anything about it. The parents get either more and more afraid of their children being the next or angry as they feel helpless and powerless.
Deepa Anappara’s novel is a brilliant mixture of an oftentimes very funny plot and an absolutely serious topic. Daily, children go missing on Delhi’s streets without anybody taking notice of it. The life of a child, especially if she or he belongs to a minority, is worth next to nothing, not even the effort to take a note on it. Diverse cultures and religious racism play an important role in this, too. Boys and girls are treated differently and offered different chances in life. Born into the wrong family, you can only count on superstition for a better life since the boundaries are clearly set.
At the beginning of the novel, I totally adored Jai and his friends. They are vividly and wonderfully portrayed. Determined to find out what happened to their friend and equipped with their knowledge from true crime TV series, they start their investigation ignoring all warnings against the dangers that lurk around the bazaar. They take their job very serious and at the same time, just as kids do, ignore the facts that they live in the same slum but come from very different backgrounds.
With the number of children who disappear rising, the novel becomes increasingly serious and loses the light-heartedness of the beginning. The way a slum works becomes gradually more visible and thus, the novel grants insight in a world which is totally unknown to me.
The whole novel is sparkling with life, the characters are quite unique and lovable and it is totally understandable why the novel has been nominated on the longlist for the Women’s Prize for Fiction 2020.
A heat wave is rolling over Glasgow in July 1973 and just so is the drug business booming. One of the victims is Bobby March, the city’s greatest rock star, found dead in a hotel. Yet, this goes more or less unnoticed since the town is holding its breath with looking for young Alice Kelly who has disappeared into thin air. Her parents are neither rich nor famous, no ransom has been demanded, so everybody fears she might have been killed by some random perpetrator. With his boss Murray away and Raeburn in charge, life at Glasgow police becomes unbearable for Detective Harry McCoy who is ordered to the most loathing jobs. With the heat not going to cool down, the atmosphere is getting more and more tense and it is just a question of time until the necessary explosion comes.
The third instalment of Alan Parks’s series set in the 1970s Glasgow is by far the best. In the first, “Bloody January”, we get an idea of the city slowly declining, in “February’s son”, we learn about the underworld and their connection with McCoy. Now, the focus is set on the police who have the hardest job imaginable to do. Apart from the very personal aspects in this novel, again Alan Parks managed to create a brilliant atmosphere which gives you a feeling of the city and the constraints the inhabitants have to live in.
The plot combines several lines all equally thrilling and suspenseful. Apart from the kidnapping story – which will have much wider repercussions than apparent at the beginning – and McCoy’s personal war with Raeburn, there is also the ominous death of rock star Bobby March which gets unexpectedly personal for McCoy, too (and serves to continue the witty naming of the series). Added to this, Harry is asked by his boss to secretly look for his niece, 15-year-old Laura has been in trouble for quite some time, but now her disappearance seems to be more serious. All this is poured over McCoy and leads to a fast-paced story which you have to follow carefully in order not to get lost. Yet, the skilful and clever detective can connect the dots and bring all cases to an end.
The character of Harry McCoy is a fantastic protagonist. On the one hand, he is totally down to earth and knows how to talk to people no matter their background. He is an excellent policeman yet blends in easily with the underworld and its shady figures. On the other hand, he is totally loyal to his colleagues and has very high standards when it comes to police work and law and order. He knows where not to look too closely, but he is also determined when it comes to crossing a red line. Thus, his pragmatic but straightforward approach to his work makes him a sympathetic and authentic character.
A superb read which combines a great protagonist with a complex plot and lives from the stunning atmosphere the author creates.
It is the most disturbing crime scene Sheffield police have ever seen: three persons have literally been slaughtered at home. The morning after the wedding reception of their daughter Leah, Clive and Serena Mercer as well as their son Jeremy are attacked and brutally killed, only Jeremy’s daughter is spared, but she had to witness the crime. When DCI Matilda Darke and her team start the investigation, they soon realise that this case will not be easy to solve, apparently everybody loved the family of well-respected and highly admired doctors. There simply seems to be nobody with a motive and especially nobody to commit such a crime. Yet, forensics come up with an ID: Keith Lumb, arrested several times for petty burglary, left traces at the house, but could this man really be capable of a triple killing? And why should he do this?
Michael Wood’s thriller “The Murder House” is a real page-turner. Once you start reading, the story doesn’t let go anymore and you keep on reading. The case is quite complex and the author brilliantly laid some wrong leads to keep you in the dark for a long time. In the end, however, it all makes sense and the pieces fall perfectly into place. A second plot line about a missing boy shifts focus at times, but also provides some suspense and is quite interesting from a psychological point of view.
Apart from the murder investigation, I liked the characters in the novel who seem quite authentic in the way they are presented and how they cope with the high demand of their job. They show different facets of their personality and all of them have their very own demons they have to fight with. However, they can also laugh and support each other, what I totally adored.
An exciting thriller with a lot of suspense and a carefully crafted plot which leaves nothing else to wish for.
Two sisters who could hardly differ more. Mickey has always been the serious, more diligent one who went to school eagerly and was dreaming of a better life than the one they had at their not very loving grandmother’s. Kacey, eighteen months her junior, has always been the wilder, more adventurous girl who early pushed against the boundaries. Now, as grown-ups, they find themselves on opposing sides: Mickey has become a cop with the Philadelphia police, Kacey is highly addicted and working on the street. Mickey always has an eye on her younger sister even though they haven’t been talking for years. When several young and vulnerable women are killed, Mickey is highly alarmed since she hasn’t seen Kacey for several weeks.
Liz Moore‘s novel is a brilliant combination of a mystery novel with the search for a serial killer and a very sad story about a dysfunctional family where problems are handed from one generation to the next and where an escape is not really possible not matter how hard you try. Even though it looks as if there were clear sides, the good sister Mickey and the bad sister Kacey, you realise soon that life isn‘t that easy and that both women are more like different and changing shades of grey.
Mickey is a great protagonist in so far as she has a lot of interesting traits to offer. On the one hand, she is the hard working single mom who only wants the best for her son and constantly fears that she cannot live up to her own expectations. As a policewoman, too, she seems to do a great job, her family history helping her to understand the situation of the less favoured by life and those on the streets. That she suffers from constant misogyny in the forces does not really astonish. Yet, there are also other sides of the young women which only slowly unfold and show that there are a lot of lies she has been told by the people around her, but also lies that she told herself to shape the things in the way she wants to see them.
The mystery parts about the serial killer and the search for the sister are full of suspense and have some unexpected twists and turns to offer. What struck me most was the feeling that a lot of what Moore narrates is actually very sad, none of the characters has much to look forward to in their life and all seems but too authentic. A novel which provides entertainment but also much to ponder about after the last page thus something not to be missed.
They have been living in Paris for some time now and it took Kate more than one year to finally accept that she would never be like all the other stay-at-home mothers who only cared for the children and spent their days chatting in cafés. So, she decided to return to her job. She is supposed not to ask too many questions, just to do what is necessary when she gets a new mission. Yet, that morning, things are somehow strange in the city, police is everywhere and there is a threat perceptible, but where does it come from? Another series of attacks on the French capital? Kate is good at her jobs and that’s the reason why she soon figures out that the whole scenario is aimed at somebody completely different and that this could also mean that her family and especially her husband is the primary target.
“The Paris Diversion” is the second instalment of the Kate Moore series and continues “The Expats”. It is not absolutely necessary to have read the first novel, yet, the stories are closely interwoven and directly linked. The story moves at a high pace, the whole plot takes place in only a couple of hours, it is only slowed down by Kate’s memories of her time in Luxembourg and a love story that took place some years before. The first of the two makes sense for readers who are not familiar with the first book of the series, the second, however, could easily have been dropped for my liking since it does not contribute anyhow to the actual plot.
It takes some time to see through the whole story. There are many things going on at the same time in different places and how they connect does only unfold slowly. It is cleverly orchestrated and finally, all pieces fall into place, yet, the whole set-up is not really authentic. It is quite an interesting scenario playing with all the fears of modern world: the quick changes at the stock markets, terrorist attacks on a Western metropolis, kidnapping of CEOs, secret services operating in foreign countries – you name it. Chris Pavone masterfully combined all those ingredients into one story, but, as one might assume, it was a bit too much. Nevertheless, I liked the novel due to the high pace and the fantastic protagonist: a strong woman who just does what has to be done while at the same time being completely down to earth and making wrong decisions in her private life.
Bea and Dan are frustrated with their London life and jobs and therefore decide to take a couple of months off. They start their tour across Europe in France where Bea’s brother Alex runs a hotel. Yet, when they arrive in the Burgundy village, it seems completely deserted. The hotel has never seen any guests and the house is completely run down. However, Alex is happy with the way things are. Bea is all but close to her family and when her parents announce to visit their children, she is all but amused. Dan cannot understand his wife’s hostility towards her parents, but there is a lot more that he doesn’t know and when they are hit by a major incident, he finally gets to know his real in-laws.
It’s the third novel by Sadie Jones that I have read and just like the other two before, again I really enjoyed her style of writing. The full extent of the story only slowly reveals and even though it is not a classic suspense novel, you know that there is a lot buried that will be uncovered sooner or later and you eagerly wait for it to show.
The strongest aspect were the complicated family ties. It is not clear at the beginning why Bea resents her parents so much, only when these two characters show up you start to understand her hatred and why she tried to cut all bonds. It is clearly a dysfunctional family in all respects: a strong and stubborn father who, self-centred as he is, just ignores the needs of the other family members and egoistically subordinates all to his wishes. The mother, however, is rather weak and clearly has a very unhealthy relationship with her children, even though they vary a lot. Alex and Bea seem to get along quite well even though there is a big gap in their age, yet, their different attitude towards the parents makes it impossible for them to really unite.
And the novel is about money. It is difficult to talk about it without revealing too much of the plot, thus, quite obviously, it doesn’t really help to make you happy. Even if you got masses of it. All in all, a very compelling read that I enjoyed a lot.
January 1973 first brought a promotion to Detective Harry McCoy of Glasgow police, but then things wrecked havoc. When Howie Nairn, a prisoner in the Special Unit of Barlinnie wants to see him, he is a bit irritated. Why especially him? And what does he have to say? Nairn tells him to take care of a certain Lorna who works in a posh restaurant and is likely to be killed the next day. McCoy doesn’t really believe him but nevertheless sets out to search for her. In vain. He can only watch how the young woman is shot in central Glasgow by a man who then commits suicide. Quite a strange thing, but things are going to get a lot more complicated and soon McCoy has to realize that the laws aren’t made for everybody.
Alan Park‘s first novel of the McCoy series lives on the atmosphere of 1970s Glasgow. The city hasn’t turned into the town it is today but resembles a rather run down place where police and gangland work hand in hand – have to work hand in hand if they want to solve any case at all. McCoy is rather unconventional in his work, but he certainly has the heart in the right place and fights for justice.
There are two things I really liked about the story: on the one hand, it is quite complicated and all but foreseeable, on the other hand, Alan Parks‘s has chosen inconvenient aspects which he puts in a different light which shows the complexity of reality and that live is not only black and white but full of shades of grey. McCoy can work for the police but maintain good relationships with old friends who control the criminal world. The recognized upper class are not the good-doers but also have their dark sides. And many people struggle to make a living, wanting to be good but at times have to ignore their own values simply to survive.
A novel which is full of suspense, with a convincing protagonist and perfectly crafted atmosphere of a dark Glasgow.