An abandoned car brings the police to Styles, the famous residence of Agatha and Archibald Christie. The famous writer has gone missing after a fierce quarrel between the couple during breakfast. Archie does not seem concerned at all and he is astonishingly reluctant to cooperate with the investigators. For the detectives, his behaviour is highly suspicious and even more so when they uncover an affair he has had for quite some time and because of which he asked his wife for a divorce. Yet, all this information is not really helpful in determining the whereabouts of the grand dame of crime. This is one way the story can be told, but maybe there is also a completely different version.
“Then the phone rang, shattering my lonely vigil. When I picked it up, I nearly cried in relief to hear a familiar voice. But then the voice spoke. And in that moment, I knew that everything had changed.”
Agatha Christie’s disappearance in December 1926 is, due to broad media coverage, a well known fact. However, the mystery has never been really solved and the crime writer herself did not comment on what actually happened during the ten days of her absence. Marie Benedict, by whom I already totally adored the portrait of Hedy Lamarr in “The Only Woman in the Room”, fills this gap with a very clever story which especially enthused my due to the tone which perfectly copies the crime writer’s style.
The narration tells the events of two points in time alternatingly. The first recounts how Agatha and Archie met, their first years during WW1 and their quick marriage which is immediately followed by darker years stemming from Archie’s depressive and dark moods. The second point of time follows the events after her disappearance. The first is shown from Agatha’s point of view, the later gives more insight in Archie’s state of mind thus revealing a lot to the reader but at the same time, omitting very relevant pieces of information which keeps suspense at a high level.
Even though it is a mystery, it is also the story of a woman who wants her marriage to succeed, who is willing to put herself and her daughter second after her husband’s needs and who fights even though there is nothing to win anymore. However, she does not breakdown but emerges stronger and wiser since she used her cleverness and capacity of plotting to free herself of her marital chains.
Former editor Susan Ryeland is running a hotel on Crete with her partner when one day she is contacted by the Trehearnes who themselves also run a hotel in England. On their premises, a dreadful murder had taken place years ago which was used by writer Alan Conway as the basis for a successful novel. Since Susan edited Conway’s novels before he died, she might help them because their daughter Cecily has vanished. Immediately before her disappearance, she had read Conway’s novel and obviously was come across some important information related to the crime. As his editor, Susan must know the novel very well so she might be the one to help solve the case. Since she is rather short of money, she consents to come to Suffolk to investigate the circumstances.
After the “Magpie Murders”, “Moonflower Murders” is the second instalment in the Susan Ryeland series featuring the literary detective Atticus Pünd invented by the deceased novelist Alan Conway. Just like in the first novel, we have a novel within a novel which helps to solve a mystery and links two lines of narration. As a reader, you really have to pay attention not to mix up everything since you have a bunch of fictional characters who are represented in the second narration.
Over the last couple of years, Anthony Horowitz has become one of my favourite authors who never disappoints me. He most certainly is a master of complex plots which pay homage to the great crime writers and the Golden Age of crime fiction by respecting Ronald Knox’ “Ten Commandments” of mysteries.
Just as expected, masterly crafted and even though I liked “Magpie Murders” a bit more, an enjoyable read I can only recommend.
There nothing in Alice’s life that didn’t go completely wrong in the last couple of weeks: her employer laid her off, her father didn’t want to see her and now, her partner leaves her because he is having a baby with another woman. After days in bed, she gets a message from an old friend. Joanna. Her former best friend with whom she has lost contact, but now, Joanna wants to meet her to get to know the man she’s going to marry. Could there be a better excuse to leave everything behind at least for a couple of days? Obviously, Joanna must be quite successful living in one of the new posh apartment blocks which must be super expensive. However, when, Alice knocks on the door, there is just Mark, Joanna’s husband to be and he knows nothing of a visitor. Joanna is not there, also the next day, she doesn’t show up. Alice feels increasingly uncomfortable until Mark tells her that Joanna has been kidnapped and that he needs her help to get her back.
Told from Alice’s point of view, you go through a horrendous mass of emotions – emotions which could hardly be more contradictory. Wendy Clarke leads the reader through a tour de force of lies, secrets and very spooky and distressing moments that, at times, give you the creeps. Just like her protagonist, you do not know whom to believe or trust, the whole situation she is caught in feels like a big ghost train rushing towards a giant obstacle without preparing for the impact.
I totally adore plots which keep you alert throughout the whole narration. It is those seemingly insignificant side notes that reveal that there’s so much you do not know, that all characters have some blind spots you don’t see and that everything might be completely different from what you expect or believe. Even though I found Alice a bit too naïve and shallow, I liked to follow her.
The further the plot gets, the higher the pace and suspense, thus a true page-turner that entertained me well.
When Bahadur, one of his classmates, goes missing, nine-year-old Jai is determined to solve this case. He has watched so many episodes of Police Patrol that he knows exactly how such a problem is to be treated. Together with his friends Pari and Faiz, he starts to investigate around Purple Line and Bhoot Bazaar. Yet, more and more children and teenagers disappear from their basti and quite obviously, the police are not willing to do anything about it. The parents get either more and more afraid of their children being the next or angry as they feel helpless and powerless.
Deepa Anappara’s novel is a brilliant mixture of an oftentimes very funny plot and an absolutely serious topic. Daily, children go missing on Delhi’s streets without anybody taking notice of it. The life of a child, especially if she or he belongs to a minority, is worth next to nothing, not even the effort to take a note on it. Diverse cultures and religious racism play an important role in this, too. Boys and girls are treated differently and offered different chances in life. Born into the wrong family, you can only count on superstition for a better life since the boundaries are clearly set.
At the beginning of the novel, I totally adored Jai and his friends. They are vividly and wonderfully portrayed. Determined to find out what happened to their friend and equipped with their knowledge from true crime TV series, they start their investigation ignoring all warnings against the dangers that lurk around the bazaar. They take their job very serious and at the same time, just as kids do, ignore the facts that they live in the same slum but come from very different backgrounds.
With the number of children who disappear rising, the novel becomes increasingly serious and loses the light-heartedness of the beginning. The way a slum works becomes gradually more visible and thus, the novel grants insight in a world which is totally unknown to me.
The whole novel is sparkling with life, the characters are quite unique and lovable and it is totally understandable why the novel has been nominated on the longlist for the Women’s Prize for Fiction 2020.
When Jules comes home early because she has been laid off, she finds her boyfriend with another girl. Without a job and no home anymore, she is close to giving up when she sees an ad for a house sitter. This might solve both her problems for the moment. When she enters the apartment for the first time, the interior holds up to what the outside of this old Upper West Side house promised. The Bartholomew is incredible and Jules more than happy when she is hired for the job which is paid more than generously: one thousand dollars per week. But there are some strict rules to follow. When you’ve got nowhere else to go and no money in your bank account, you agree to almost everything, but Jules has no idea what she has agreed to with moving into the Bartholomew.
Riley Sager’s thriller got me hooked from the very beginning. I like those stories with old houses in which there are strange sounds you cannot identify and that have secrets behind every door and residents who are suspicious in every imaginable and unimaginable way. The setting is just perfectly chosen for a spine-tingling story and the way the author composed the story, with foreshadowings which give you some idea of what might come without telling too much, keeps you alert and thrilled all the time.
I liked the protagonist Jules immediately, she seems to be a clever young woman, with her family background not an easy prey for wrongdoers. You sympathise with her due to her very poor situation and the luck that seems to have come to her life unexpectedly. The inhabitants of the house are intriguingly drawn, quite eccentric but well-fitting to the surrounding.
Yet, what I liked best was that fact that when I was sure to have sorted out everything, I had to learn that I was downright wrong with my assumptions. Really some unexpected turns and connections – masterly done! Nevertheless, it all adds up and makes completely sense, looking at the plot again from the end, you see how you misinterpreted signs and easily were deceived by the author. Brilliantly done and well written, one of those books that you hate to finish.
The last strike by the anonymous bullying group really hit Kat hard. She was never the popular girl with many friends, but at least online she could be the person she saw in herself, but now, that is taken away from her and she just wants to vanish, fade away. Her wish is granted, slowly her body becomes translucent, only Safa, sharing the same fate can see her. She quickly finds out that there are others, not just people who would like to be someone different and forget their old life and be forgotten, but people who actually faded away. However, there is still one thing she needs to do on earth: the bullies have found another target and she must stop them and therefore collaborate with one of them.
Admittedly, I wasn’t really thinking that the act of vanishing in the novel was meant “real”, yet, this unrealistic aspect is the only thing I wasn’t completely happy with. Apart from this, David Owen has really captured the emotions of teenager who feel like they don’t fit in, that they cannot lead the life they would like to have and the hardship of going to school and being exposed to the attacks of bullies.
I found both protagonists – Kat as the good, pitiable girl and Wesley who first seems to be her enemy but then turns out to be in a comparable situation – strong characters for the novel. They are easy to relate to and the problems they face are things most pupils might know from their everyday life. The novel also had some suspense that kept you read on and it surely made you think of how you treat your family members and how attentive you are concerning the people around you that you never really see.
All in all, I liked it and would surely recommend it to young people who are searching for their identity and place in the world.