Even though Beverly is rather young for a mother, she has done the best in raising her son Riley the past eight years. Partners have been in the picture but whenever they got too close, she withdrew in her cocoon. But now, Ethan does not seem to accept her decision and by sending expensive toys tries to win Riley’s favour. However, Beverly is mistaken, the anonymous presents are from somebody else, somebody who has been searching her and who is watching her now, waiting for the best moment to strike. Somebody who knows her past and above all, the secret she has successfully hidden for years. Finally, her luck seems to come to an end and she is not only threatened to be exposed but also to lose the most precious thing of her life: her son.
Nicole Trope has wonderfully plotted the action in her thriller so that the reader is immediately gripped. By alternating the chapters’ focus, we are presented with different points of view that fuel speculation about who is this unnamed observer, what is this person up to and, first and foremost, what is Beverly hiding? I totally adored hypothesising about these questions, running in the wrong directions while the conflict slowly unfolds and heads towards a climax.
Beverly is a character you are fond of instantly. She is a lot younger than the other mothers and feels inferior not only due to her age but also senses that she needs to do better than the fellow moms to avoid being looked down on. Being a single parent is hard enough, for her, the pressure put on her from the outside makes it even harder. She only wants the best for Riley and is willing to put her personal luck second which is quite a compassionate attitude. That she becomes the focus of a villain seems unfair even though you are aware from the beginning that she, too, has some secrets which might be rather nasty.
A brilliantly crafted psychological thriller with some unexpected turns that kept me riveted from the beginning to the end.
Dana Goss, a wealthy heiress only a couple of years shy of 70, decides to visit Jackie, once her best friend with whom she shared everything, but whom she has not seen for almost five decades. Jackie sees Dana approach but hides and does not open the door. It triggers memories of a time long long ago. At the same time, a young man meets his father to tell him about his new-born granddaughter, soon after, the father dies from an aneurysm, not only leaving his son behind but also many questions. His mother Alice might answer them but this would mean revealing a secret she has kept to herself for so many years that she cannot reveal it now. Taxi driver Lupita Lopez in Kauai is also unexpectedly confronted with the almost forgotten past when she receives a phone call. All these lives are connected by events that each of them has ignored successfully.
Bill Clegg’s story is set in the fictional town of Wells in Connecticut where the old farm house is the starting point of some live changing events. The different characters narrate their stories thus filling gaps the other leave and adding another perspective to what has been told before. They all try to hide things they do not want to think about, but those secrets push to the surface to be ultimately revealed.
At first, the different accounts seem only loosely connected, it takes some time to understand how they are linked and why after all those years, the memory of that time is still that hurtful. The characters are all complex in themselves and presented in detail thus giving insight in their state of mind and thinking. There is not the ultimate good guy and the bad guy; it is lives having taken a turn which is not to be undone, decision that have been made which also had consequences, good ones as well as bad ones. Thus, a wonderful illustration of how life on earth works sometimes.
THE FINAL FINAL has been Emma’s and Lucas’ preferred bar for years. But on her 35th birthday, Emma isn’t anymore the woman she used to be. She is drinking alone, acknowledging the other regulars and thinking about what has gone wrong in her life during the last couple of years. Her professional choice which deeply annoyed her success-oriented father, her marriage with Lucas which was never easy but also not too bad, the happiness when their son Lionel was born. And now she is sitting in a bar drinking and ignoring the texts from her friend Grace who seemingly has arranged something for her birthday. The more the evening advances the more the tension in the bar rises and unexpectedly, she learns things which lead to a dramatic end.
What I liked most about Anna Bruno’s novel were first, the atmosphere of the bar and second, the development of the protagonist. On the one hand, we have a place where you typically do not find an average single woman drinking alone. At first, everybody is friendly, they have known each other for years but keep a natural distance, they are only bar acquaintances it seems with no further connection and know not to trespass the personal sphere of each other. Over the course of time, you learn more about the other guests and slowly the heat is rising. This comes quite as a surprise which only underlines how perfectly this has been developed.
The whole plot centres around Emma and her pondering. It does not take too long to understand that something important must have happened that lead to the separation and deeply impacted her psychological state. It is just those things that happen in life, evidently ordinary hazards.
I loved the structure of the novel, having two timelines interwoven which each other which culminate in a distressing climax. Vividly narrated at a moderate pace, I really enjoyed delving into it.
Jess is the absolute role model of a mother, her friends have always admired her diligence and devotion to care for her two sons. When she unexpectedly gets pregnant with a third kid, her husband is over the moon but she does not really share his enthusiasm, she knows how demanding kids can be even for a home-stay-mom. When Betsey indeed turns out to be a rather challenging child, Jess loses her temper, the less she can control the girl, the easier she freaks out until she even gets close to wanting her dead. Her friends Liz, a paediatrist, senses that things do not go too well, but with her own kids and her job, she does not have the time to really take look into the situation. When one evening Jess turns up in the emergency room with Betsey showing obvious signs of neglect and being severely hurt, Liz is trapped between being a friend for Jess and informing the police. How well does she actually know what is going on at her friend’s home?
Sarah Vaughan masterly plays with truths, half-truths and all the things her characters consider truths. Told from different points of view, the reader over and over again gets caught in a trap by making sense of what you know and deciding on what and how the tragic incident happened. Forget it, you are completely wrong since – just as in real life – there is so much more.
Even though the main focus is on the one big question around Betsey’s injuries, the author addresses a lot of questions going far beyond the crime plot. The struggle of women who feel pressure to be the perfect wife, perfect mother, have a successful career and who easily prepare parties with exquisite food is palpable throughout the novel. The four women at the centre all struggle with complying with expectations and their very own goals and ideals. Showing weakness does not seem to be an option, just like asking for help and thus, precarious and even dangerous circumstances are silently endured. Additionally, the question of how far a friendship should or must go is tackled. Liz’ remorse is easy to understand and certainly nobody could ever wish to get into such a situation.
I totally adored the novel, after “Anatomy of a Scandal”, another thoroughly convincing plot with authentic characters and a lot of suspense.
“I was twelve years old. This was the morning of the last day of my childhood.”
Violet Rue has always been her father’s favourite little girl. Just like her older sisters before, but not the brothers. The seventh of the children was loved beyond belief and treated differently. Jerome Kerrigan wasn’t an easy man, expecting his family to be obedient and to follow his orders. His education was strict and very clear. But then, one event changes everything. Her older brothers commit a cruel crime, killing a boy from the neighbourhood, a black boy. Violet Rue knows about it and she knows where the murder weapon is to be found. Keeping this secret is not really an option, but positioning herself against her family means that she has to life a life as a rat, a person who betrayed their closest.
I have read several novels written by Joyce Carol Oates and thus knew that she does not make it easy for her readers and demands a lot. Here, too, the book at times is hard to tolerate, the family situation is shocking and what the girl experiences – also after leaving the family – is merciless, just like reality sometimes is. A very strong narration that especially could convince me due to the tone of the young narrator who is torn between a childish naiveté and the need to grow-up and care for herself far too early.
It’s a novel about family bonds, family secrets, punishment, and all kinds of abuse. Powerfully Oates portrays how strong the core family members are sometimes linked and how the children and partners of abusive husbands sometimes keep silent just to secure their life. Violet knows as a young girl already what is right and what is wrong and that her decision to take the side of the victim will have severe consequences. But she – just like any child in a comparable situation – underestimates the hatred that people might show and how heartlessly her family is ready to cast her out.
A book not especially pleasurable to read but surely not to miss either.
1954, the war in Korea is over but there are still some soldiers waiting to see their big star come for a short visit: Marilyn Monroe. Alice J. Kim, working as a translator for the Americans, is one of the few Koreans fluent in both languages and who could accompany the blond film star on her tour. But with the arrival of Marilyn also comes somebody else Alice had almost forgotten: Joseph, her former lover who turned out not to be a missionary but an American spy. Alice thought she could leave her past behind, like the war, just bury it all under the ruins and build a new life. But now, it all comes up again.
Other than the title suggests, the novel is not really about Marilyn Monroe and her visit to Korea. She appears as a character, yes, and I found she was nicely depicted, a sensitive woman lacking all kind of allures one might assume. However, first and foremost, it is a novel about Alice and the two loves she had: first, Min-hwan, a married man working for the government, and second, the American Joseph. None is the loves is meant to last and the political developments in the country add their part to these unfulfilled loves.
What I found interesting was the insight in the possible life of a Korean woman at the time of the war. I have never read about it and this part of history is not something I know much about. Nevertheless, the book could not really catch me. Somehow I had the impression that the two stories – Alice’s one the one hand and Marilyn’s visit on the other – did not really fit together and especially the last seemed more a feature to make the story a bit more interesting by adding a big name.
„These sleeping pills are a better friend than diamonds for those of us who want to forget their past.“
Parallels between Marilyn and Alice are evoked: a past they want to forget, well-known lovers who in the end always decide against the affair and for their wife, the change of name to start anew – but the link is too weak to work for me. Unfortunately, Alice also remains a bit too distant, too hard to grasp and to really feel sympathy for her and her fate.