Everybody in the small Louisiana town of Mallard has always just called them the twins. That’s what Desiree and Stella Vignes are, just like some inseparable unit. Together they grow up, together they ran away to find a better life. A big dream for two black girls in the middle of the 20th century when segregation is a fact and opportunities for girls are limited. But then, Stella finds a job as a secretary, due to her relatively fair skin, they mistake her for white and with her diligence, she suddenly sees the chance to reinvent herself. After years of playing the role of the white secretary, she is ready to turn the role into her new self, but this requires leaving everything behind, also her twin sister. The girls take different roads, but they can never forget each other completely. It will take years until their paths will cross again and until they will need to ask themselves who they are and who they only pretend to be.
Brit Bennett’s novel covers the time span from the 1950s when the twins are only teenagers until the end of the 20th century when they have grown-up daughters. It is a tale of two young girls who are connected by their looks but quite different in character, girls with hopes and dreams living in a time when chances in life are determined by the skin colour. One of them accepts things as they are, the other decides to make the best for herself of it, but the price she has to pay is high and it is also a price her daughter will have to pay, ignorant of her mother’s story. Beautifully written the author not only follows the fate of the two individuals, but she also mirrors in their fate a society in which some alleged truths are deeply rooted.
When starting reading, you have the impression of being thrown in at the deep end. Somehow, you are in the middle of the story and first need to sort out the characters and circumstances. The author sticks to the backwards and forwards kind of narration which only little by little reveals what happened to the sisters. Just as both of them are ill-informed about the other’s fate, you as a reader, too, have to put the bits and pieces together to make it a complete story. I totally adored that way of gradually revealing what happened to them.
The narrative also quite convincingly shows that you can never just make a decision for your own life, it will always have an impact on other people, too, and even if you imagine having left all behind you and buried it deep inside your head, one day, the truth will come out and you’ll have to explain yourself. Brit Bennett similarly demonstrates how fragile our concepts of race, gender, class and even identity can be. We might easily be misled because quite often we only see what we want to see and prefer looking away over confronting our stereotypical thinking.
A must read drama with strong characters but also a lot of food for thought.
Kelly’s childhood was all but easy. Her father was never at home and her mother didn’t care about her at all, her whole focus was on the foster children who came and went off again. When Kelly was eight, she was promised a sister, this time to stay with them forever. Freya, two years her senior, turned out to be a very headstrong and reckless girl who soon took over control and manipulated Kelly’s mum. This is why Kelly was not too sad when she did not return after a stay at a hospital. Yet, a couple of years later, Freya is back, but now, Kelly is older and not the weak girl who puts up with everything anymore. However, all these are stories of the past, by now, Kelly has a loving husband and three wonderful kids. But, when strange things start to happen, Kelly is unsure whether to blame the lack of sleep or if she is reading the signs correctly. Is Freya back? But she saw her die, this cannot be, can it?
Wendy Clarke’s thriller “We were sisters” keeps the reader a long time in the dark. The story is narrated at two periods of time, on the one hand, the adult Kelly who tries to cope with three children and the constant fear that something from the past might endanger her lucky little family; on the other hand, her memories of the past, the disturbed family she grew up in and the encounter with her foster sister Freya. Thus, it takes some time to sort out what happened and to form an idea of what the signs she sees might mean actually. The author, however, has to offer some twists and turns which come quite unexpectedly.
I adore those stories where there is a creepy feeling that there is a threat coming from somewhere without the characters knowing where to look for it. I was really surprised by the ending as it all turns out quite differently from what I had in mind – brilliantly done. Nevertheless, even though it all makes totally sense, I had the impression that it was a bit too much. Also Kelly’s relationship – or rather: non-relationship – with her parents seemed a bit exaggerated to me, just as her feeling of being threatened without a real reason before all the strange things started to happen. Yet, I enjoyed Wendy Clarke’s writing a lot, she certainly knows how to keep you hooked.
After her beloved father has died, Seraphine Mayes digs into her family’s history. When she finds a photograph of her mother, her older brother Edwin and one baby, she is astonished: it must have been taken on the day of her birth, but which one is the baby? Seraphine or her twin brother Danny? And why does the mother look so happy, only hours before she committed suicide? The photo must have been taken by the au pair who was then looking for Edwin, a certain Laura. When the young woman starts her search for the former babysitter, memories of rumours surrounding her family home Summerbourne also come back to her mind: why did everybody in the small village always say that twins do not survive in that house? When Seraphine tracks down Laura and tries to contact her, she inadvertently sets in motion a series of events.
Emma Rous’ mystery starts as a simply family story and then develops into a suspenseful crime novel. The story is told alternatingly between Seraphine’s search for Laura and the latter’s experiences as an au pair 25 years before. Two young women full of distress who cannot foresee what they run into. The plot is carefully crafted and to sort out the complex connections takes some time thanks to unexpected twists and turns.
“The Au Pair” clearly lives on the two protagonists. I liked both of them dearly, Seraphine’s stubbornness is quite convincing, she does not give up even when being threatened, actually this only spurs her curiosity and fervour to uncover the events surrounding her birth. On the other hand, Laura had to flee from her evil stepfather and tries to regain control over her life. Both women are created multifacetedly, especially their relationships are complicated which makes them authentic and believable. Apart from the characters, I especially liked the atmosphere of the novel and the spooky tales that circle around the two family homes which give you the impression of old gothic homes which have some secrets buried that are never meant to come to the light.