Riley, Sammy, Mia and Scarlett are art students at Monroe and working on projects together when one day, Sammy suggests a trip to Whisper Island, Alaska, where they could spend their holidays for free and profit from its remoteness and special surroundings for their artwork. Even though the others are not too keen on spending summer in the cold north, they agree and see it as an adventure. When they are on their way, Sammy announces that her brother Rob would join them, not just does she thus destroy the girls trip, but especially Mia is angry, her best friend should know that after their breakup, the wounds that Rob had caused never really healed. When they finally arrive, it is not just Rob but also his new girlfriend Opal awaiting them in a run-down house. But not only their lodging is a disappointment, also their boat to travel to the next town is out of order and then their whole trip turns into a nightmare when they realise that they are obviously not alone on the island since a murderer is on the loose killing one after the other.
Carissa Ann Lynch has chosen a classic locked-room setting which strongly reminded me of Agatha Christie’s “And Then There Were None”. Even though the students are not total strangers, they evidently know much less from each other than they thought before their departure. The story is narrated alternatingly from the points of view of the characters thus providing insight in their hidden thoughts and offering the reader, on the hand, clues to what could be behind all this murdering but, on the other hand, also a lot of red herrings which keeps suspense high.
The present events on the island are surely the main focus of the plot, however, the girls’ past, the things they hide from the others – and astonishingly, each of them has quite a story to offer – are much more interesting to unravel. Sammy soon hints at the fact that she did not suggest the trip out of the blue but actually had a good reason to vanish from Memphis and so had her brother. Mia seems to have been in a scandal a couple of years ago which she hopes the others have never heard of but of which the anniversary is close and threatening to make the others a see side of her she prefers to keep hidden. Scarlett struggles with drug abuse and hopes to get sober in the weeks on the island. Riley is new to the group and she is also the one who is quite closed up not giving away too much form herself and her family, so, what does she have to hide?
I liked the atmosphere on the hardly welcoming island which immediately gives you the creeps and fits perfectly to the plot. Speculating about why the six might have been chosen as targets was great fun and finally was revealed and explained. An entertaining and fast-paced mystery following a classic structure.
Even though she is already 25, Emira Tucker still does not really know which career to follow. Her degree does not really lead to anything and that’s why she is currently doing two jobs: transcribing records and babysitting Briar Chamberlain. Briar’s parents are new to Philadelphia and happy to find somebody to take care of their small daughter. When one Friday evening their house is hit by eggs, Briar’s mother Alix can rely on Emira to leave a friend’s birthday party to come immediately to their home to secure little Briar. When Emira is accused of having kidnapped the girl in the middle of the night, a bystander films how the black babysitter is assaulted. After all is sorted out, Emira only wants to forget about this episode, but it will become a decisive moment in her life.
Sometimes you start a novel and get totally immersed in it and practically read it straight from the beginning to the end. Kiley Reid’s “Such a Fun Age” belongs to this type of story. I got hooked from the first page as she quite casually addresses so many topics worth pondering on while creating suspense and offering also much to laugh about. I am still not sure which perspective the novel should be read under, the feminist or the race or if little Briar with her very special way of making sense of the world is the aspect most worth looking at in depth.
What I liked most was actually to see the vulnerability and lack of confidence that both protagonists share. This is wonderfully transported by the author since she uncovers the gap between the outer image and the feelings from inside. Alix is a highly successful woman who appears to be sure of herself and knowing exactly what she wants and what she is doing. When we enter her thoughts, the picture we get of her is totally different, there is hardly any aspect of her life she doesn’t struggle with. Emira also seems to be content with her jobs, but secretly she envies her friends for their ‘real adult’ jobs and feels like the only one who never actually grew-up. Briar is too young to express true self-awareness, yet, she seems to be aware of the fact that she is different somehow and does not easily bond with others. I really adored her sensuous and intense way of approaching the world surrounding her.
I thoroughly enjoyed the read, especially since it highlights the fact that you can never be too sure that what you see is really how the other person feels.
Kelly’s childhood was all but easy. Her father was never at home and her mother didn’t care about her at all, her whole focus was on the foster children who came and went off again. When Kelly was eight, she was promised a sister, this time to stay with them forever. Freya, two years her senior, turned out to be a very headstrong and reckless girl who soon took over control and manipulated Kelly’s mum. This is why Kelly was not too sad when she did not return after a stay at a hospital. Yet, a couple of years later, Freya is back, but now, Kelly is older and not the weak girl who puts up with everything anymore. However, all these are stories of the past, by now, Kelly has a loving husband and three wonderful kids. But, when strange things start to happen, Kelly is unsure whether to blame the lack of sleep or if she is reading the signs correctly. Is Freya back? But she saw her die, this cannot be, can it?
Wendy Clarke’s thriller “We were sisters” keeps the reader a long time in the dark. The story is narrated at two periods of time, on the one hand, the adult Kelly who tries to cope with three children and the constant fear that something from the past might endanger her lucky little family; on the other hand, her memories of the past, the disturbed family she grew up in and the encounter with her foster sister Freya. Thus, it takes some time to sort out what happened and to form an idea of what the signs she sees might mean actually. The author, however, has to offer some twists and turns which come quite unexpectedly.
I adore those stories where there is a creepy feeling that there is a threat coming from somewhere without the characters knowing where to look for it. I was really surprised by the ending as it all turns out quite differently from what I had in mind – brilliantly done. Nevertheless, even though it all makes totally sense, I had the impression that it was a bit too much. Also Kelly’s relationship – or rather: non-relationship – with her parents seemed a bit exaggerated to me, just as her feeling of being threatened without a real reason before all the strange things started to happen. Yet, I enjoyed Wendy Clarke’s writing a lot, she certainly knows how to keep you hooked.