Two 12-year-old girls have been murdered, but except for their parents, nobody really seems to care about it. Maybe they had it coming, that’s how it is with girls their age, they should have paid more attention to whom they mingle with. Eve Taggert is not willing to simply accept that her daughter Junie has gone and nobody is hold responsible for the senseless death. What did she and her friend Izzy do in the park at that time and bad weather? She starts to ask questions even though her brother Cal, a policeman and close to the investigation, tries to keep her away and out of trouble which her private research soon causes. The more Eve learns, the closer she also gets to her own family and especially her mother with whom she had cut all contact before Junie was born because she never wanted to be like her. But in the course of the events, Eve must realise that she shares more traits with her mother than she ever expected.
Amy Engel’s mystery novel deals with the greatest horror that parents could ever go through: learning about the death of their beloved child and having the impression that nobody bothers to find the culprit and to bring him or her to justice. However, it is also about life in small and remote community where poverty and precarious standards of living are a daily occurrence. Growing up in trailer homes or small, run-down apartments where children only get a nook for themselves and see the adults drink alcohol or being addicted to drugs of all kinds – this is not the childhood one could ever wish for. Even if some want the best for their children, just like Eve, getting out of this isn’t as easy as it seems.
The story is narrated from Eve’s point of view which gives you a deep insight in the emotions she goes through. Not just losing her daughter and thus the sense of life, but she also falls back into old patterns she had given up and totally loses her footing. Even though she could not offer Junie much, she put an effort in her daughter’s education and she lead a decent life and loved her – more than she herself had experienced as a kid. To see such a woman being hit by fate is especially bitter.
Amy Engel does a great job in showing the development of Eve, going from being totally blinded by mourning and anger to gaining strength – even if she becomes a bit too reckless and headless at times – and in the end, fearlessly doing what she needs to do.
Notwithstanding that a lot is going wrong in the small town of Barren Springs, what I liked a lot is that the author did not paint the characters in black and white. The greatest villains do also show their positive and human sides – just as the “good” ones suddenly are capable of quite some crime. Albeit a murder investigation is at the centre of the novel, for me it was much more a psychological study of small town life and people who struggle in life. It does not lack suspense though and several unexpected twists and turns keep you reading on.
When the long lost son returns after ten years without a word, Frazer Lattimer calls his six children for a family reunion. It is only reluctantly that they return to the family villa in Spanish Cove, all of them had a good reason for leaving. Yet, Adam‘s unexpected knock on the door when they all thought him dead makes them change their mind. However, from the very first minute, underlying suspicions and open hatred dominate the atmosphere and their anger escalates on a boat trip when one of them kills their father. None of them is innocent, but who really hated the old man that much that he or she could kill him?
Jo Spain‘s mystery is a highly suspenseful murder investigation combined with the psychological analysis of a family which is dominated by secrets and lies. Six children with six different fates, a controlling father and a mother who died from the grief over her lost son – there is a lot to discover under the surface of the successful and rich Lattimer clan.
I highly adored how Jo Spain slowly unfolds the secrets around each of the now grown up children. Starting with the murder of their old father, you are highly alert when hearing all their different stories, looking for motives that could lead them so far. The author created individuals who all have their flaws and weaknesses that they try to hide but which ultimately have to come out, so in every new chapter, you have something totally unexpected come to the light adding to the picture of this young and pitiable generation.
Suspense rises slowly the better you get to know the family members and yet, the conspiracy and murder nevertheless came as a surprise to me since it was brilliantly set up and convincingly motivated. A great read in every respect.
It is by coincidence that the Brazilian musician and author learns that his dad fathered a boy when he lived in Germany. Their house has always been full of books, his father a passionate historian and writer, horded them and, at times, forgot letters and other things in them. It is such a letter that Chico finds which indicates that his father had an affair with a certain Anne Ernst when he lived in Berlin as a journalist around 1930. Later, when the Nazi regime took over, he tried to bring his son to Brazil. Since father and son hardly talk to each other, it is not an option for Chico to ask him about the unknown half-brother, thus, Chico starts his research on his own.
Even though the book is classified as fiction, it is based on Chico Buarque’s life and the facts he reports about his father and German brother are actually true. Sérgio Buarque de Holanda spent some time in Berlin where Sergio Günther was born who later became a well-known artist in the German Democratic Republic. Unfortunately, the brothers never had the chance to meet.
I really appreciate Buarque’s tone of narration, especially at the beginning, the light-heartedness with which the young men move around town is well transferred into the language the author uses. Interesting to observe are the family structures. Even though the father’s main occupation is closely linked to language in all shapes and forms, the family members hardly find a way to communicate with each other and the most important things remain unsaid. A third aspect which struck me was the part in the novel which gives insight in the time of the military regime. Hardly do I know anything about the country’s history, therefore those glimpses are most fascinating.
Sometimes life itself invents the best stories. Even though some of it is fictional, I found Chico Buarque’s story about his mysterious brother most intriguing and a perfect example of how complicated families and our lives can be.
When the news of his beloved sister’s death reaches Ren, he hurries to the small town of Akakawa where she had been worked as a teacher for the last couple of years. The police do not have many cues about the young woman’s crucial death, she fell victim to a merciless murderer and was heavily mutilated. Ren starts to ask questions himself, first the landlord where his sister had stayed and with whom she seemed to have had quite a delicate agreement. But also at her work place, there are interesting people who might know more than they would admit at first. In his dreams, Ren is haunted by a young girl with pigtails who obviously wants to tell him something, but he needs time to understand the girl’s message.
Clarissa Goenawan’s novel is set in 1990s in rural Japan and thus the atmosphere is far from the Tokyo rush that you might have in mind when thinking about young people on the Asian island. The plot moves at a moderate pace; modern media simply does not exist so people need to talk to each other to get information or to – very conventionally – send letters. Even though the motive that drives the action is an unsolved murder case, the novel is far from being a real crime novel. It is much more about the brother’s loss, a rather dysfunctional family (or rather: families since none of the families presented can be considered functional in any way) and in a way also about love or different kinds of love. It is a quite melancholy book with some rather dark and even mystical aspects.
I felt sorry for the young protagonist most of the time. He is quite lonely and now with his beloved sister gone, he got nobody to rely on anymore. His childhood memories were quite depressing and it is a wonder that from what he and his sister experienced they didn’t develop any serious mental illness. There is something intriguing about the other characters, too, albeit I assume that this is also stemming from the fact that they are portrayed in a fairly typical Japanese way, eccentric to some extent, which is rather unknown or unusual for Europeans. What I found quite interesting is the fact that the writer herself isn’t Japanese, but for me, her novel is thoroughly Japanese concerning the atmosphere and the characters.