Crime writer Claire McGowan has grown up in a small town in Northern Ireland which she always perceived as a safe place despite the Troubles. Of course, the news daily reported about bombings and people killed but what she hadn’t been aware of was the incredibly high number of girls and women who were abducted or simply vanished in both Northern and the Republic of Ireland. Some of the cases happened close to where she lived, happened to girls her age who roamed the same places when she did but she has never even heard of it. Only rarely was a suspect arrested and even more seldom convicted for rape or murder. How could the country have such a high number of women murdered and except for their families nobody seems to care?
I have enjoyed Claire McGowan’s crime novels for some years now, not only because the plots are suspenseful and complex, but also because she manages to capture the atmosphere of a place, to create a special mood that can only exist there. With her deep understanding for the people and the places they live and which shape their thinking and acting, I was curious to read her true crime investigation of femicides.
What her enquiry uncovers is not the Ireland that has attracted tourists and business for decades. It is a country that was shaped by the Catholic church and whose legislation was far behind other European countries in terms of women’s rights. With the Troubles, it was often safer not to have seen anything and, first and foremost, not to say anything, thus atrocious crimes could happen in broad daylight in front of everybody’s eyes. The deeper she digs the more cases she finds and can link to a small area, the so called “Vanishing Triangle”, where an astonishing number of woman have disappeared and whose cases remain unsolved.
McGowan tells the women’s stories, lists the evidence and also provides reasons why their bodies are still missing or why prime suspects still walk free. All this grants a look in the country’s state in the 1980s and 1990s – a lot has changed since, but still society and police often fail female victims today.
A read which is as interesting as it is disturbing. I really enjoy listening to true crime podcasts thus the topic attracted me immediately. What I really appreciated was that Claire McGowan did not take a neutral position towards her account but you can sense her anger and the incredulity with which she looks at her findings and which makes you wonder why not more people shout out because of this.
Lucy Harper has achieved what many writers dream of: her detective novels about Eliza Grey have become highly successful and she built up a huge fan base. Her husband Dan supports her and takes care of their finances and everyday life. When he, without asking her first, decides to buy a house, she gets angry, even more so when she learns where exactly the house is located: close to where she grew up, next to the woods where her younger brother once disappeared and which she connects with her most dreadful nightmares. How could he do something like this, knowing about her childhood? Quite obviously, he is gaslighting her – that’s what Eliza tells her. Eliza, not only the protagonist of her novels but also the voice that has been in her head as long as she can remember. What has been useful for her writing now becomes complicated when Lucy struggles to distinguish between what is real, what is fiction and what is only in her head and when her husband is found murdered, the writer finds herself the main suspect of a story just like her novels.
I have several of Gilly Macmillan’s novels, always liking how she plays with the reader’s sympathies for the characters and the unexpected twists which keep suspense high. “To Tell You the Truth” is also masterfully crafted in terms of being vague and keeping you in the dark about what is real within fiction and what is only imagined by Lucy. Just like the protagonist, it takes a long time to figure out where the actual threat comes from, many different leads offer options for speculation which makes reading totally enjoyable.
Having a crime writer who finds herself suddenly suspect in a crime in which the police use her own writing against her, is a setting which has been used before. Yet, Gilly Macmillan added a lot of aspects to make the case much more complicated. On the one hand, the voice in Lucy’s head is quite strong and surely a negative character whom you shouldn’t trust. Again and again, Lucy also seems to suffer from blackouts thus opening the possibility of actions she simply cannot recollect and which therefore remain blank spaces also for the reader. The backstory of her vanished brother and the big question looming over all if she herself might be responsible for his likely death – maybe even willingly – also add to the unpleasant feeling that she might not be a victim in this story at all.
Her husband, too, raises many questions. He is, quite obviously, envious of his wife’s success since he also dreams of a career in writing but lacks talent. The bits and pieces of information one gets directly lead to the assumption of him gaslighting her. However, the possibility of Lucy getting it all wrong due to her hallucinations and the Eliza-voice is also in the air.
A creepy thriller which keeps you alert at all times. Even though I found the end a bit too simply for the plot, a fantastic read I totally enjoyed.
It’s the middle of the 80s and San Francisco hasn’t turned into the tech/IT hotspot it is today. Teenager Eulabee grows up in a more well-off part close to the beach and attends an expensive all-girls school with her best friends Maria Fabiola. The girls are still somewhere between being kids and becoming visibly female and with this transformation also come the problems. Maria Fabiola is the first to attract attention from the opposite sex, but her radiant appearance also charms women which is why she gets away with almost everything. Eulabee is far from being that self-confident and therefore sticks to the truth what leads to her being excluded from the girl circles of her school. When Maria Fabiola vanishes, the whole community is alarmed, but Eulabee from the start does not believe in a kidnapping, she has known Maria Fabiola for too long and is well aware of her former friend’s greed for attention.
Vendela Vida still isn’t as renowned as her husband Dave Eggers even though she has published several books by now and has won the Kate Chopin Award. I found her last novel “The Diver’s Clothes Lie Empty” quite exceptional in the choice of perspective and therefore was eager to read her latest novel “We Run the Tides”. This time, she goes back in time and has chosen teenage girls as protagonists. The story is told from Eulabee’s perspective and captures well the mixed emotions a girl goes through when becoming a woman. Also the ambiance of the 1980s is convincingly depicted.
The most central aspect of the novel is surely the friendship between Eulabee and Maria Fabiola and its shift when one of the girls develops a bit quicker than the other. Maria Fabiola is well aware of the effect she has on other people and uses this for her own advantage. Eulabee, in contrast, is still much more a girl, insecure in how to behave and what to do about the situation. She does not fight but accept what’s happening. Her first attempts of approaching boys seem to be successful but end up in total disappointment. She is a close observer and can well interpret the relationships she sees, between her parents, her mother and her sister and also the other girls and teachers at her school. Without any doubt she is a likeable character and treated highly unfairly. But that’s how kids behave at times.
I liked how the plot developed and how the vanishing of the girls turned out quite unexpectedly. Yet, I didn’t fully understand why the author has chosen to add another chapter set in the present. For me, the story was perfectly told at a certain point and admittedly, neither was I really interested in Eulabee’s later life nor in another encounter of the two women as grown-ups. Still, I do not really know what to make of Maria Fabiola when they meet for the first time decades later.
To sum up, wonderfully narrated, a great coming-of-age story with a strong protagonist.
Former editor Susan Ryeland is running a hotel on Crete with her partner when one day she is contacted by the Trehearnes who themselves also run a hotel in England. On their premises, a dreadful murder had taken place years ago which was used by writer Alan Conway as the basis for a successful novel. Since Susan edited Conway’s novels before he died, she might help them because their daughter Cecily has vanished. Immediately before her disappearance, she had read Conway’s novel and obviously was come across some important information related to the crime. As his editor, Susan must know the novel very well so she might be the one to help solve the case. Since she is rather short of money, she consents to come to Suffolk to investigate the circumstances.
After the “Magpie Murders”, “Moonflower Murders” is the second instalment in the Susan Ryeland series featuring the literary detective Atticus Pünd invented by the deceased novelist Alan Conway. Just like in the first novel, we have a novel within a novel which helps to solve a mystery and links two lines of narration. As a reader, you really have to pay attention not to mix up everything since you have a bunch of fictional characters who are represented in the second narration.
Over the last couple of years, Anthony Horowitz has become one of my favourite authors who never disappoints me. He most certainly is a master of complex plots which pay homage to the great crime writers and the Golden Age of crime fiction by respecting Ronald Knox’ “Ten Commandments” of mysteries.
Just as expected, masterly crafted and even though I liked “Magpie Murders” a bit more, an enjoyable read I can only recommend.
Everything had been planned meticulously for months. Taking the trip to Detroit and then vanishing somewhere in Canada. But when Claire Cook wakes up on the morning which will free her finally from her abusive husband, she learns that he has altered their plans, she is to go to Puerto Rico. All the strategy, fake passport, preparations were in vain. Eva, another woman, as desperate as Claire, runs into her at the airport and makes an offer: trade tickets. Both of then need a new start and have powerful people on their heels. None of them has anything to lose anymore and so they decide to step in each other’s shoes. When Claire lands in California, she finds out that the plane she was supposed to be on crashed which makes her a free woman with a new identity. But the new life she has hoped for for months, does not feel right somehow and one questions lingers at the back of her mind: what did Eva run from?
“The Flight” belongs to those books that you open and cannot put down anymore. It the brilliantly told story of two women who are desperate to an extent where they feel that there is nothing to left to lose anymore and who would take any risk since they know this could be their only and last chance to get their own life back. While we follow Claire’s first days in her new life, Eva’s last months before the meeting at the airport is narrated providing insight in her tragic story.
Full of suspense you simply keep on reading to find out if the women could escape. Yet, apart from this aspect, there is also some quite serious undertone since, on the one hand, we have Claire stuck in a marriage marked by psychological and physical abuse and a controlling and mighty husband who considers himself above the law. On the other hand, Eva’s life has totally derailed because of her background where there were no rich parents who could afford expensive lawyers or knew the right people and therefore she was paying for something her boyfriend actually was responsible for. This surely raises the questions to what extent women still much likelier become a victim of false accusations and endure years of assault because they do not find a way out of their lamentable situation. Additionally, can it be true that with money and power you can put yourself above the law and get away with it?
A great read that I totally enjoyed and which certainly will make me ponder a bit more after the last page.
Finisterre Island, a small isolated place off the coast of Maine, is normally a lovely and peaceful place. But a house with strangers annoys the locals as well as the summer guests since it seriously disturbs the idyllic atmosphere. When on 4th July a boy goes missing, suspicion rises. Just a couple of weeks afterwards, another boy vanishes. Is there a connection between these incidents and the newly arrived woman of the suspicious house? Annie seems nice enough, but she obviously has some secrets, not only her affair with a local policeman, but also her mysterious and sudden appearance in town.
The plot sounded intriguing to me, children going missing, a small island where everybody knows everybody, characters with secrets, but unfortunately, the novel didn’t really reach me. I found the beginning of the novel quite slow and it took me a lot of time to sort out the two lines of the plot. The toughest for me was the fact that I didn’t sympathise with any of the characters which makes it hard to really care for them and their fate. Additionally, what I really detested was how they all treated children. Just like some object that you thoughtlessly can move from one person to the next.
As I figured out much too late, this is the second instalment of a series. Maybe I just didn’t understand the crucial point of the novel since I hadn’t read the first book, there were actually some perplexing aspects that did not make too much sense to me. I also missed some kind of explanation for the characters’ really strange behaviour which unfortunately never came. All in all, a novel that I couldn’t really relate to.
Thirty years have passed since 14-year-old Aurora Jackson vanished when camping with a group teenagers. But now, her body has been discovered by coincidence. She has been dead all the time, buried in the woods and her killer running free. What happened that night, when Aurora‘s sister and her friends had invited her in the woods? Obviously a lot of booze and drugs, but how come that one of them could have been murdered and the others remain silent for over three decades? DCI Jonah Sheens and his team have to face a group of friends who stand in line even after all the time. They must have to hide quite a lot…
Gytha Lodge‘s debut is a thrilling crime novel from the first to the last page. The plot offers many different side lines that could lead to the solution and the combination of having the story advance in the present and the flashbacks of the day in 1983 keep suspense high.
What I found most interesting was the dynamics between the friends. On the one hand, the group of six as teenagers where the cool ones lead and have their say, but also later as adults where they all found their place in life and in their small group. They made some wrong decisions out of fears that are understandable for teenagers, but they never corrected them as adults even though they had the chance.
Many twists and turns keep you guessing about what happened that night and in the end, it all is solved convincingly. For me, a perfect crime novel and a very entertaining read.