Samantha Raymond cannot say what it was exactly that lead her to buy a house and to move out of the suburban comfort zone with her husband Matt and their teenage daughter Ally. Maybe Trump’s election, maybe the feeling of menopause hitting her or just the fact that she spends her nights awake pondering about her life and all that is connected to it: motherhood, mortality and the country she lives in. Via the Internet, she connects with some radical women whose notions are new to her. But sorting out her new life also means getting more and more away from her old life and her daughter. Has she ever been a good mom? Didn’t she do all that was necessary to bring Ally up? And what did she use her one life for actually?
In her novel “Wayward”, Dana Spiotta portrays a woman at a crucial point of her life. She made some decisions that now come under scrutiny. It is not only the outer, visible elements of her life but much more her inner convictions that have to stand the test. Her first move sets in motion a chain of events that bring her further away from all she has known for so many years and it remains to be seen where this will lead her.
What I liked most was the combination of metaphors the author uses. The old house that Sam finds and is attracted to immediately mirrors her body. Just like the cosy new home, life also has left traces on her body. Just like she renovates the house, she starts to train to get stronger. However, all the renovation cannot hide that the years have left their marks on it and some things simply cannot be redone.
Just as she analyses her complicated relationship with her own mother and also with her daughter, she analyses the state the country is in. The opposing parts become obvious through the segregation between the white and better-off parts of town and her new place which is quite the opposite. Coming from a protected life, she is now confronted with crime which has always been a reality for other parts of society, but not the suburban housewives she has known for so long.
The novel has a clear feminist perspective. Sam volunteers at a small museum that was the home of a 19th century feminist who ignored societal constraints and followed her ideals, also Sam’s mother is an independent woman, whereas she herself had given in to a life that she now is running from. Her daughter also tries to rebel against Sam’s life choices and wants to free herself – in her very own way. All women make choices that have consequences, all woman have to decide between conformity and rebellion, they want their life to be meaningful – but what does that mean and what is the price for it?
An interesting read from a point of view that is slowly expanded to show the bigger picture.
It’s been sixteen years since her sister Persephone was murdered. Sylvie has created herself a new life, far away from home, but now she has to return to her hometown and confront her seriously ill mother. It doesn’t take long until all that happened that winter night comes back to her, especially when she meets Ben, her sister’s boyfriend, her sister’s murderer. Yet, Ben insists in his innocence. But can she trust him? And what about her mother who always refused to tell the girls who their respective fathers are and who also refused to talk about that night. Is it time now to open Pandora’s box and let the truth out?
Megan Collins’ debut is at the first glance a typical murder case: an 18-year-old girl is strangled and the murderer has been running free for sixteen years. However, at the second glance, it is much more a story about family relationships, about secrets and about love and trust. The small family of three females lived on secrets and lies, had they ever been open and honest with each other, the death of one daughter could have been prevented. Yet, that’s how human beings are, sometimes they lack the necessary courage to do what is right and thus risk to lose all they love.
The novel is well-created, even though at a certain point it is quite obvious how all the dots are linked, I found it full of suspense. Telling the story through Sylvie’s eyes gives you a certain bias at the beginning, but the missing pieces and gaps add to the thrill and the big questions marks Sylvie herself feels can also be experienced by the reader. Collins’ biggest strength is certainly the creation of the characters who all act convincingly and appear quite authentic. I am looking forward to read more from the author.
What can a daughter learn from her mother? Four generations of women of one family suffer from their respective mother’s way of life, the choices they made and the future they planned for their kids. The first generation is embodied by Caresse Crosby, Harry Crosby’s wife, a young American who freed herself from Puritan Bostonian convictions and was looking for freedom and a life for the arts in Europe. Her daughter Diana grows up in Paris between all the famous people of the so called “Lost Generation” and never had to chance to just be a girl, too much was projected in her. Diana’s daughters Elena and Leonie found ways of opposing their mother by opting for very traditional models of love and life. Elena’s young children, one even unborn, are now the fourth generation who grows up with a heavy legacy.
The novel oscillates between times and places. We meet the Parisian It-crowd of the twenties when Caresse and Harry have their big time and Diana is just a girl. Then we jump to Caresse’s last days in Italy, decades after she has lost her husband and when her grand-daughters are already grown-up women. Another 20 years on, Diana’s life is coming to an end. Yet, no matter what point in time in general or in the characters’ life, the core question is always the same: what do you expect from life and how much love do you need?
Alternating the setting surely makes the novel lively, on the other hand, the development of the characters suffers from this non-linear or non-chronological arrangement. Even though you can make out especially Diana’s development, her daughters, for example, remained a bit a mystery for me. What I found intriguing, however, was the highly complex mother-daughter relationship which becomes very clear in every constellation: on the one hand, unconditional love and the hope that the daughter can break away from conventions and find love and happiness in life, on the other hand, the fact that they cannot live up to their own ideals and that wishes are not fulfilled makes them also reproachful and mean in their later life.
It is quite interesting to see that the author Tamara Colchester herself is a descendant of this family. This raises the question of how much fiction and how much reality you can find in the text. No matter the answer, it’s a novel about strong women and the choices we make in our lives.