Meg Wolitzer – Das ist dein Leben

Meg Wolitzer – Das ist dein Leben

Dottie Engels ist in den 1980ern alleinerziehende Mutter zweier Töchter und ein Star am Comedy Himmel. Überall erkennt man sie sofort, extrovertiert wie sie ist, wird sie sofort zum Zentrum jeder Gesellschaft. Erica und Opal müssen häufig auf sie verzichten, während Dottie in Los Angeles auf der Bühne steht, werden sie von Babysittern, die sich jedoch kaum um sie kümmern, in New York betreut. Was Dottie zu ihrem Markenzeichen gemacht hat – der selbstironische Umgang mit ihrem Übergewicht und dem offenkundig weit entfernten Schönheitsideal – wird für die 16-jährige Erica zunehmend zum Problem. Sie kann mit ihrem Körper nicht so entspannt umgehen wie die Mutter, mehr und mehr zieht sie sich zurück, bis irgendwann der völlige Bruch kommt. Auch für Opal und Dottie beginnen schwere Zeiten, als der Publikumsgeschmack sich ändert und der Stern der Mutter langsam sinkt.

Meg Wolitzer ist erst in den letzten Jahren in Deutschland als Autorin der Durchbruch gelungen, „Das ist dein Leben“ hat sie im Original schon 1988 veröffentlicht und man merkt dem Roman an, dass er noch nicht über die sprachliche Raffinesse und die überzeugende Figurenzeichnung verfügt, mit denen ihre späteren Romane „The Interestings“, „Belzhar“, „Die Ehefrau“ oder „The Female Persuasion“ mich restlos begeistern konnten.

Im Zentrum steht die Beziehung zwischen Mutter und den Töchtern. Dottie liebt diese über alles, trotz ihrer häufigen Abwesenheit wird sie ihrer Rolle als schützende Mutter gerecht, allerdings kann sie auf die zunehmenden Depressionen Ericas nicht wirklich reagieren. Opal, die 5 Jahre jünger ist, vergöttert die Mutter, was auch zu dem Auseinanderdriften der Schwestern führt. In Opal und Erica werden zwei gänzlich verschiedene Seiten von femininer Jugend aufgezeigt, die sich jedoch um die zentralen Aspekte des Umgangs mit dem eigenen Körper und auch den innerfamiliären Beziehungen drehen.

Es ist ein Roman seiner Zeit, das Kabelfernsehen mit seinen eigenen Regeln gibt es in der Form heute nicht mehr, auch die später gerade in New York zentrale Drogenproblematik, die ebenfalls aufgegriffen wird und vor allem der Lebensstil mit Fast Food und ohne die geringste Rücksichtnahme auf Körper und Gesundheit sind heute für Personen des Showbiz und öffentlichen Lebens kaum mehr vorstellbar.

Thematisch hat der Roman vieles zu bieten, nichtsdestotrotz konnte er mich leider nicht im erwarteten Maße für sich gewinnen. Es liegt eine Schwermut über der Handlung, die bisweilen erdrückend wirkt, so manche Länge forderte auch die Geduld heraus.  Auch die Figuren blieben mir oft zu eindimensional und reduziert auf wenige Aspekte, um überzeugend zu wirken.

Raven Leilani – Luster

raven leilani luster
Raven Leilani – Luster

Edie, a 23-year-old artist, is somehow stumbling through her life. She does not have a stable partnership and the men she encounters are certainly not the ones to plan a future together, well she does not even know if that is what she wants. When she meets Eric, again, this does not seem to go beyond sex since he is twice her age, married and without the least intention of leaving his wife and daughter. When Edie finds herself suddenly unemployed without money or place to stay, something quite extraordinary happens: Eric’s wife invites her to live with them. However, it is clear who sets the rules: Rebecca.

Raven Leilani’s novel “Luster” has been named among the most anticipated novels of 2020, thus, I was quite curious to read it. The constellation of inviting the young mistress of one’s husband to live in the same house seemed quite promising for an interesting battle between two women. However, I struggled a bit with it, maybe this is due to the fact that the author quickly moves away from the central conflict and the protagonist remains a bit too bland for my liking.

When moving to the Walker family’s house, Eric is away on a business trip. Instead of having two grown-up women who have to negotiate their respective place in the household, Edie turns into another kid who is bossed around by Rebecca and forced into the role of a nanny and tutor for Akila, Rebecca and Eric’s daughter. She herself does not appear to actually dislike this arrangement and easily gives in to it. Rebecca, on the other hand, is not the self-confident and successful women, her behaviour towards Edie is quite harsh but only because she is weak and in this way wants to secure her place.

There are some minor aspects which I found quite interesting but which did not really blend into the story such as Akila and the fact that she is black and adopted. She and Edie become the victim of police brutality – a brief scene which is not pursued on a psychological, societal or political level and of which, there, the function remains unclear to me. This happens at several points where the characters find themselves in a crucial emotional situation which is not elaborated and makes them all appear a bit inanimate, like actors on a stage who perform a role in which they feel awkward and which they cannot really identify with.

Edie is neither a representative of a lost generation who does not know what to expect from a highly uncertain future, nor is she a special individual who struggles after some major life event. She also does not really develop throughout the novel which, all in all, makes her shallow and admittedly quite uninteresting. Maybe the plot might have been much more appealing from Rebecca’s or Akila’s point of view.

Adrienne Celt – Invitation to a Bonfire

adrienne-celt-invitation-to-a-bonfire
Adrienne Celt – Invitation to a Bonfire

The revolution and following turmoil made an orphan of Zoya Andropova. Therefore, she like so many other kids comes to the USA as an orphan and is welcomed in a New Jersey boarding school. She never belongs even though she quickly acquires the language and gets good marks. After her schooling, she can stay on the premises and work in the newly built greenhouse where she fully immerses in her work with the plants. Neither does she have friends, nor a lover. It is just her work and the love for literature that keep her going. There is one author she has worshipped for years, Leo Orlov, another Russian émigré whose works she devours. When Leo comes to teach at the boarding school, Zoya seems close to happiness, but even though Leo returns her love, there is one person in the way of their luck: Vera, his wife.

Adrienne Celt’s second novel “Invitation to a Bonfire” is set in a complicated time and therefore offers several layers of narration. The book can be read against the background of Russian-American confrontation and distrust. It is also a coming-of-age novel of a girl who struggles in her new surroundings. The story provides a good example of group dynamics, of exclusion and bullying, of rich vs. poor. It clearly also broaches the issue of being forced to leave your country, forced to leave behind everything from your family, to your belongings and even your language. And, after all, it is a story about love and being loved and about what people are willing to do for the one they have fallen for.

With such an abundance of topics, it is hard to find a beginning. Let’s start with the protagonist. It really liked Zoya, she is a decent and modest character, she humbly accepts her status in the new school and avoids attracting attention. Even though the other girls play tricks on her, she remains loyal and keeps quiet. She can endure a lot and does not expect life to be fair. After what happened to her family, she knows that justice is not something you can rely on in this world. This is a truth she has accepted and thus, she can follow her ideals.

When she falls under the spell of Leo, you want to shout at her to run, far far away from this man and his wife. You can see that nothing good can come from this relationship – but: what else could she do than immediately fall in love? He is the first to see her, to show her affection and to love her. Her free will is gone and the is easy to manipulate.

The story is not fast paced, actually the love story comes at quite a late point in the novel considering its relevance. What made the narration really lively was the fact that Leo’s letters to his wife and other documents were integrated which allowed you a glimpse at a later point and thus added to the underlying suspense. The author has cleverly constructed the novel and her writing is adorably poetic and multi-layered, is starts with the first sentences which immediately drag you into the novel and don’t let you out before the finishing dot:

“Let me begin by saying I did not think it would end this way. No—let me begin by saying I will burn this diary shortly.”