Nurse Callie is giving up her job to be better able to care for her brother. For years now, Noah has been suffering from mental illness and apart from their father, Callie is the only one he trusts and who is able to calm him when he gets in a state of emergency. To have more time, she leaves the hospital and becomes a carer for Frey, a young man who does not talk and needs strict daily routines to cope with life. Thus, Callie spends two weeks with her father and brother and the other two together with a colleague with Frey. When she returns one night from work, she receives an awful message: both her beloved ones have died in an accident and now she has to face her mother again. The woman who left them, who always hated Callie and the single person she does not want to see. It is a confrontation which is not only hurtful but which also lets lose monsters which have been kept locked up for many years.
Cassandra Parkin’s novel is a dark tale which play with the big question if the narrator is reliable or not and if what we remember is actually how things really happened or if our brain might play tricks on us. “The Leftovers” is great in making you high alert for the half-sentences, the things implied, all that is not said and questions all characters. Whom can you trust? Who is willingly misleading? Who is misled by their brains? From a point where all is clear, you enter an abyss where everything is possible.
Callie appears to be a selfless young woman who has destined her life to care for others. She is great with Frey as she has a long history of living with her brother and noticing nuances, slight changes which might be signs for dramatic events. She can well adapt to Frey’s needs and sync herself with his life which makes her perfect for the job. Yet, after some time, things slightly change and it takes some time for the reader to figure out why that is.
In the confrontation with her cool and repellent mother, childhood memories come up. Not only did her mother not show any affection towards her and clearly preferred her brother, she definitely neglected the girl. In Callie’s recollections, it all makes sense and fits together perfectly, yet, the more you get to know, the more you start to wonder if she, too, might see things that are not there just like her brother. Even though from what she tells, it all seems right and yet, doesn’t the understanding from the world of somebody suffering from paranoia normally form a consistent picture?
A great read I can only recommend but you should be aware that some contents might feel like triggers for a highly sensitive reader.
Journalist Kate flees New York and her job and hopes to have a new start in Callinas close to San Francisco where she is staying with her aunt while working as an archivist for Theo Brand. He is the son of the famous photographer Miranda Brand whose legacy has been stored unattended in their home for more than two decades. Even though Theo is quite reserved, Kate gets on well immediately with his kids Oscar and Jemima; the deeper she digs into Miranda’s work and story, the more fascinated she becomes. Spending hours daily at the Brand home ultimately also brings her closer to Theo and makes her challenge her luck: he explicitly prohibited her from accessing some parts of the home which he considered strictly private. Kate cannot resist and thus finds Miranda’s diary which sheds a completely new light on the artist and her mysterious death.
It only took me a couple of pages to be totally enthralled by the story. Sara Sligar’s debut is a clever combination of an extraordinary artist’s (fictitious) biography, a crime novel and also feminist psychological thriller. Miranda’s death is the central aspect which Kate investigates, but what I found much more interesting was, on the one hand, how Miranda’s relationship with her obsessive-aggressive husband develops and, on the other, how Kate, herself just having recovered from an episode of mental struggles, reacts to it and becomes increasingly fixated. A brilliant study of two female characters who try to cope with psychological issues and being misunderstood by the world around them.
“I must figure out how to be exactly the right level of insane.”
The crime part of the novel is not that obvious from the beginning, it develops slowly and is surely reinforced by Kate’s prying in Theo’s home. It does not seem to make sense why he hides important information from her while paying her to sort out his mother’s legacy. Their getting closer over the time, not surprisingly, makes things even more complicated.
Even though some serious topics are addressed, Sara Sligar keeps a light tone and works on suspense rather than having the novel turn into a too melodramatic story. Added to this, her characters are not just black or white but give an authentic representation of the complex layers of grey which exist when it comes to relationships, violence and mental issues.
Life has been perfect for Gemma and her husband Danny. The successful journalist and IT specialist have decided to flee busy London and settle in Bristol in a nice home where the quality of living is higher. When Gemma returns one Friday evening only three weeks after their move, she expects Danny to be at home waiting for her with dinner. However, their house is deserted, no sign that her partner has been at home after work. First, she is only slightly concerned, working overtime is not unusual in his job, but not getting hold of him makes her wonder. After changing his job, he hasn’t gotten a new mobile phone and thus, they only communicate via e-mail which he doesn’t answer. Gemma bravely waits two days, becoming increasingly frightened before she contacts the police for filing a missing persons’ report. What she learns then is that two men looking like Danny’s twins have been murdered in the area and soon she finds herself prime suspect in a serial killer case as strangely, there is not the least sign in her home of Danny ever having lived there with her. What is she actually hiding?
Jackie Kabler’s mystery novel starts quite typical for a thriller, you are immediately thrown into the plot and discover the vanishing of her husband together with Gemma. Thus, you get her growing concern first hand and can easily follow her thoughts. When the police’s side of the story is told, the author switches the point of view and leaves you quite quickly in the positing where you wonder if either you were fooled by Gemma who seemingly has set up some very good murder plot or if the woman suffers from some kind of serious mental troubles and even only imagined to have a husband whom strangely hardly anybody seems to have known. On the other hand, there is some creepy feeling that Danny might have taken advantage of Gemma for some scheme of his own, they haven’t been married that long and he proposed only weeks after they had gotten to know each other.
I totally adored the constant insecurity about whom to trust and what to believe; the more you learn about the characters and the further the events develop, you have to adapt your opinion and change sides more than once. Some unexpected twists and turns keep you hooked to the novel and make it hard to put it down. “The Perfect Couple” is a psychological thriller with an interestingly drawn protagonist and a surprising storyline which make a thrilling and gripping read.
When children grow up, they do this in the believe that their parents know best and that they only want the best for their children. Since they hardly have any insight in other children’s homes, they forcibly must come to the conclusion that what they experience is how things in a family should be. Olivia has always known that her mother isn’t easy, they have changed home so many more times than any other kid she knows and even as a small child, she knew what to avoid and what to do around her mother for fear of her reaction. But it took her many years to understand the woman who gave birth to her and to find an explanation for her mother’s behaviour: she is a psychopath.
Olivia Rayne tells her experiences of growing up with a psychopathic mother. The chapters are dedicated to typical clinical features that a person diagnosed with this mental illness shows and a short explanation. Then, she outlines how this realised in her mother’s case. It is unbelievable to read what the girl had to endure and how she was left alone while her father watched and could clearly see what was happening. Not only did he not provide any help or shelter, he even supported his wife’s erratic behaviour. Outside the family, hardly anybody had the chance to do anything about the situation since the facade portrayed a totally different picture of the events that at times made people wonder.
The book is highly informative since you get a lot background information of how a psychopath operates. You can also recognise the patterns of manipulation they use and thus, at least I hope, get an idea of how they remain undiscovered for a long time. Yet, first and foremost, it is very moving and heart-breaking and should startle anybody who works with children to provide them with help and clear ideas of what is acceptable and what is unacceptable parental behaviour.