Two young women, tourists in Venice, are found severely wounded in front of a hospital one late night. Luckily, with the help of video surveillance they can quickly find out the two men who put them there. But which did they abandon them even though they first provided help? As commissario Brunetti investigates the case together with his colleague Claudia Griffoni, they happen to link one of the men to another crime of which the police only have a faint idea so far, but this might be their breakthrough.
Whenever I take up a Donna Leon novel on commissario Brunetti, I know what I will get: a crime story which is solved not by some miraculously appearing deus ex machina, but by meticulous police work combined with the protagonist’s clever instinct and the ability to read people and to actually listen to them. Apart from that, it is always like some kind of bookish holiday to travel to the Venetian Lagoon and to delve into its very unique atmosphere. The thirtieth instalment in the series does not disappoint in this respect.
Quite interestingly, the crime with which the novel opens is quite quickly solved and classified an accident and a series of unfortunate events and decisions. Yet, it is only the beginning of a real crime – a crime of the sort nobody wants to know about and people eagerly close their eyes on. This time, it is Brunetti’s colleague who stirs the investigation and the commissario not only gets to know her from an unknown side but also learns that Griffoni’s hometown of Naples could also be on another planet that different life works there.
A plot driven by interesting and strongly painted characters, just the sort of entertainment one knows Donna Leon to provide.
It’s been decades since Annibale Canessa and his brother Napoleone have last talked. Now, the later has been killed, together with Giuseppe Petri, former member of the Camorra and serial killer. Annibale quit his job as Carabiniere after his biggest success because it was obvious to him that he could only get one fish at the time, but police as well as jurisdiction were full of people collaborating with the mafia and far from providing justice. But now, he has to act since it is obvious that the murder of his brother will not be cleared up by official institutions. Together with his former colleagues, Canessa goes on a mission which is bloody and which will stir up dirt. A lot of things have changed since the 70s and 80s when Italy was in the hands of the criminal organisations, but unluckily not all.
Roberto Perrone is an Italian journalist and writer who amongst other wrote the biography pf Gianluigi Buffin, the famous goalkeeper. “The Second Life of Inspector Canessa” is the first instalment of the Annibale Canessa series which strongly reminded me of the “Mani Pulite” investigations of the 1990s when masses of crimes of industry leaders and politicians were exposed and the corrupt system uncovered resulting in the end of the Prima Repubblica.
Annibale has to start his investigation from scratch, neither has he an idea why his brother was killed or why he was together with the former camorrista nor does he dispose of any means to investigate. He only has his sharp mind, two loyal former colleagues and Carla, a journalist not only eager to collaborate but also attractive. They uncover several leads which do not add up, more people die and also the small group is attacked. Quite obviously, nobody wants them to dig deeper, not the police, not the jurisdiction, not the mafia. But Annibale has not only lost his brother, he has strong conviction which he follows.
A complex and suspenseful thriller which is totally entertaining but also disillusioning – it does not take much to imagine that all this could be true.
Summer in Italy can be rather boring when all the friends are on holiday with their families. But Grace’s boredom finds an end when she stumbles across an ancient god, Dionysus. Quite naturally she doesn’t believe his story in the beginning, but slowly recognised who or rather: what he really is. When her friends Caroline and Sara return, she tells them about him and they are eager to meet him, too. So is the ancient god and since he has been longing for nymphs to feed him, the three teenagers are a welcome prey for his doings. Dionysus, not only the god of grapes and wine making, but also the god of ritual madness and religious ecstasy will lead the girls to somewhere they have never been before.
I am torn between finding it wonderful and shaking my head when it comes to Alexandra Turney’s second novel. On the one hand, it is beautifully written and I was captivated from the start, on the other hand, it is all a bit too much and too unrealistic. I was waiting all the time for some kind of revelation that could explain it all. Maybe it is just my being a bit too serious that keeps me from imaging an ancient god being reborn and founding a new kind of cult.
What I found quite realistic, in contrast, was how the three girls are spell-bound by the god and become addicted to his wine. It doesn’t take them too long until their whole thinking only circles around their Friday evening ecstasies. They eagerly sacrifice everything that was important to them before for their new god and the feelings that arouse when being drunk. They aren’t even scared when they realise what they are capable of doing when being drunk.
An extraordinary book that sure captures the spirit and atmosphere of Rome where you sometimes are lead to believe that all is possible and where the long history can carry away your thoughts easily.
Guido Brunetti is surprised when is father-in-law Count Falier asks him to meet him privately. The Count’s best friend is going to make a big mistake and he hopes that Guido could do something about it: the Spaniard Gonzalo Rodriguez de Tejada wants to adopt a much younger man. Even though nobody really is upset about his openly shown homosexuality, this seems to go too far for the upper society and is considered something absolutely inappropriate. But apart from that, Gonzalo’s friends fear that the chosen man, Attilio Circetti, Marchese di Torrebardo, is more interested in Gonzalo’s wealth than in the old man. When Gonzalo suddenly dies, the case isn’t abandoned but turns out to be much more complicated than expected.
Donna Leon’s 28th case for Commissario Guido Brunetti starts in a quite unique way since this time, no murder has been committed and Brunetti is not running after some evil criminal. It is a very personal story that reveals a lot about Venice’s society, especially the rich and noble and their very special views on the world. The actual murder case only appears after about two thirds of the novel which surprisingly does not reduce any suspense in it.
As the other novels before, the Guido Brunetti series lives on the special atmosphere of the Italian water city. Again, we get a glance behind the doors of the nobilità and how they resolve their cases. Brunetti’s has to do a lot of actually illegal work this time which does not seem to bother anybody too much. On the other hand, this is a very emotional and human story, it is the characters’ weaknesses, their longing for finding love and being loved that drives the story. It is much less about solving a crime than about revealing human nature and the core things of life. For me, definitely so far the strongest of Donna Leon’s novels since it goes far beyond just solving a murder case.
Nicolas Fiorello is only fifteen when in Naples the forces between the clans are severely shaken. He is clever, his teachers have realized this already, and he is a naturally born leader. He sees his parents working hard every day and getting nowhere, this is not the life he dreams of. So what he does is fill the gap that has opened up. He creates his own paranza, a group of boys who are going to take over first the quarter, then the whole town. With an initiation ritual he binds them to him, he negotiates hard with the clan elders and thus the group of boys become the most feared clan in their neighbourhood.
Roberto Saviano knows the Italian mafia well, he has written several books on the clan structures of his native country and for many years now he has lived under police protection since he made himself enemy number one of the mafia. “The Piranhas” is a fictional work that nevertheless gives deep insight in how life works in those parts of Italy that are controlled my mafia clans and it is easy to imagine that something like a youth gang could actually take over and terrorize a community.
His protagonist Nicolas isn’t the classic “bad boy” as you know him. Actually, he is quite sympathetic and his cleverness speaks for him. The way he plans his next steps, how he can oversee the whole process of creating and leading a group, his ideas of creating sense of belonging by using rituals and imposing strict rules and punishments – that’s just impressive. You hardly realise that he is only a boy and supposed to go to school and just worry about his first girls friend. On the other hand, is seems to be far too easy to buy weapons, to get in the drugs business and to become the leader of the most feared pack. I cannot really say if this is authentic and credible since I do not have the least clue about these things.
The plot is cleverly constructed towards a final showdown, the characters are interestingly drawn and the topic surely is still as relevant as it has been for many years now.
What can a daughter learn from her mother? Four generations of women of one family suffer from their respective mother’s way of life, the choices they made and the future they planned for their kids. The first generation is embodied by Caresse Crosby, Harry Crosby’s wife, a young American who freed herself from Puritan Bostonian convictions and was looking for freedom and a life for the arts in Europe. Her daughter Diana grows up in Paris between all the famous people of the so called “Lost Generation” and never had to chance to just be a girl, too much was projected in her. Diana’s daughters Elena and Leonie found ways of opposing their mother by opting for very traditional models of love and life. Elena’s young children, one even unborn, are now the fourth generation who grows up with a heavy legacy.
The novel oscillates between times and places. We meet the Parisian It-crowd of the twenties when Caresse and Harry have their big time and Diana is just a girl. Then we jump to Caresse’s last days in Italy, decades after she has lost her husband and when her grand-daughters are already grown-up women. Another 20 years on, Diana’s life is coming to an end. Yet, no matter what point in time in general or in the characters’ life, the core question is always the same: what do you expect from life and how much love do you need?
Alternating the setting surely makes the novel lively, on the other hand, the development of the characters suffers from this non-linear or non-chronological arrangement. Even though you can make out especially Diana’s development, her daughters, for example, remained a bit a mystery for me. What I found intriguing, however, was the highly complex mother-daughter relationship which becomes very clear in every constellation: on the one hand, unconditional love and the hope that the daughter can break away from conventions and find love and happiness in life, on the other hand, the fact that they cannot live up to their own ideals and that wishes are not fulfilled makes them also reproachful and mean in their later life.
It is quite interesting to see that the author Tamara Colchester herself is a descendant of this family. This raises the question of how much fiction and how much reality you can find in the text. No matter the answer, it’s a novel about strong women and the choices we make in our lives.