Two young women, tourists in Venice, are found severely wounded in front of a hospital one late night. Luckily, with the help of video surveillance they can quickly find out the two men who put them there. But which did they abandon them even though they first provided help? As commissario Brunetti investigates the case together with his colleague Claudia Griffoni, they happen to link one of the men to another crime of which the police only have a faint idea so far, but this might be their breakthrough.
Whenever I take up a Donna Leon novel on commissario Brunetti, I know what I will get: a crime story which is solved not by some miraculously appearing deus ex machina, but by meticulous police work combined with the protagonist’s clever instinct and the ability to read people and to actually listen to them. Apart from that, it is always like some kind of bookish holiday to travel to the Venetian Lagoon and to delve into its very unique atmosphere. The thirtieth instalment in the series does not disappoint in this respect.
Quite interestingly, the crime with which the novel opens is quite quickly solved and classified an accident and a series of unfortunate events and decisions. Yet, it is only the beginning of a real crime – a crime of the sort nobody wants to know about and people eagerly close their eyes on. This time, it is Brunetti’s colleague who stirs the investigation and the commissario not only gets to know her from an unknown side but also learns that Griffoni’s hometown of Naples could also be on another planet that different life works there.
A plot driven by interesting and strongly painted characters, just the sort of entertainment one knows Donna Leon to provide.
After a fire at her work place seriously injured her, Alice finds herself in St Francis’s Hospital in a very poor state. She does not even want to look in the mirror for fear of what she might see, and she definitely does not want others to see the monster she has become. Thus, the patients in her ward have to live with the voice coming from behind the drawn curtains. At first, she refuses contact but over the time she realises that old Mr Petersen and especially Alfie Mack next to her are likable people who make staying in hospital a lot more acceptable. Alfie is the good soul of their small community, always funny and entertaining, spreading warmth and hope. At night, however, he is haunted by the accident which made him lose his leg and all the negative emotions he pushes back during daylight. Slowly, the two of them bond, yet, without ever seeing each other.
Emily Houghton tells the story of two people who have to go through a very hard time: the lives they had have ceased to exist from one second to the next and now, they find themselves in a kind of void between before and after. Quite naturally, sharing the similar experiences makes them bond easily, on the other hand, how can you open up to another person and make new friends or even more when you haven’t come to grips with your own situation, yet? The author gives her characters the time they need to adjust and to stretch out a hand.
I thoroughly enjoyed reading this book. Even though there is a lot of sadness due to the accidents the characters had to go through and the hardship they have to endure while healing, the plot is full of love and care which makes you believe in the good in mankind and – of course – in love. Beautifully narrated by highlighting the anxieties and thoughts Alice and Alfie go through which again and again keep them from doing what should be done but which is simply a hurdle too high to take at that moment. What I liked most was the fact that Alice and Alfie fell in love other without seeing each other, they can surely say that it is the character that counts and which attracted them.
A heart-warming story providing hope and confidence when life seems to be too hard to endure.