It was supposed to be the best time of their life: Alex and Rosie fly to Thailand after their A-levels to travel and party. But then, things go completely wrong and now the two girls are dead. What happened in the burnt-down-guesthouse? And where is that English boy who might have seen them last and is obviously closely linked to the fire? The parents fly to Bangkok and reporter Kate Waters comes with them to cover the story. But what they find out isn’t what they had expected: Kate’s son Jake is the wanted English boy who is now on the run and prime suspect in the murder of Alex and Rosie.
Again, Fiona Barton could well entertain me with a plot with many twists and turns and a story full of suspense. The narrative does not follow chronology and is told from alternating perspectives which I found great since it provides a lot more depth for the characters on the one hand and keeps suspense high on the other. In the end, the case is solved without leaving any questions open.
What I liked most were actually the very different characters who seemed all quite authentic to me: first of all the two young women who could hardly be more different. Quiet Alex who wants to see the country and learn about the culture and Rosie just expecting to have a good time partying. That this combination wouldn’t work out too long is pretty obvious. The girls behave like typical teenagers do on their first trip alone far away from the parents, they are careless and easily fall prey to all kind of wrong-doers. Also their mothers are portrayed in convincing ways, especially Jenny who is very bitter after her husband left her alone with the daughter.
Most interesting of course is Kate whose role changes massively throughout the story: from the nosy reporter she herself becomes the target of the press and has to endure what is written about her boy without being able of doing anything against it.
Altogether, a perfectly pitched thriller that keeps you reading on and on and on to find out the truth about what happened in Thailand.
During construction works in London, a builder comes across the dead body of a baby. Angela and Nick hope that they will be finally relieved. For almost 40 years now, they have waited for a sign of their daughter Alice back then abducted from the maternity ward. The police investigate all options while journalist Kate Waters is looking for a story to get her career back on track. She quickly uncovers people who lived around the building site area decades before and who might have witnessed something; yet quickly she has to realize that there is much more behind the story than she initially thought. When another woman claims to baby to be hers, Kate and the police do not know whom to believe and that they are about to uncover much more than they suspected.
Fiona Barton tells her story from different perspectives: first of all, we have Kate the journalist who is looking for some kind of heart-breaking story to report and thus to escape being fired like many others from her team. We only get bits and bobs from her private life, a son who refuses to pursue his studies any further, but that’s it. Thus, this character is mainly illustrated through her actions as a journalist. I quite liked her, she not the hard-boiled reporter who doesn’t care about the people she writes about, but tries find a way between securing a good story and not exposing the people involved. On the other hand, we have Angela the mother who has been suffering for 40 years and who is not willing to give up hope to find her daughter. I am not sure if this character is really authentic, that a family and a marriage can survive such a stroke of fate is rather seldom. Emma, the last of the three protagonists remains incomprehensible for a long time and thus keeps suspense of the novel high. Much of what she says does not make sense and her role in the whole story is rather mysterious.
Even though the end is quite foreseeable, it liked the story. It is fast paced and the different perspectives keep you alert on who says what and who knows what. The mystery around the buried baby is solved convincingly even though I wonder of the subplot about the rapists was really required. I wouldn’t necessarily call it a crime novel or even thriller. It is rather a psychological drama with a lot of suspense to me. And compared to Fiona Barton’s first novel “The Widow”, this is much stronger both in the plot and the characters’ design.