Heidi Perks – Three Perfect Liars

heidi perks three perfect liars
Heidi Perks – Three Perfect Liars

When Laura returns to her job after six month of maternity leave, she expects Mia, who substituted her in this time, to be gone. Yet, the young woman is still there, at Laura’s desk and with Laura’s most valuable customer and: she got a permanent contract. Laura is furious and soon convinced that there is something wrong with that seemingly sympathetic colleague who makes friends with everybody easily. The more Laura digs into it, the more paranoid she gets, neglecting her husband and young son, her mind only circulating around how to dethrone the enemy. Mia actually has something to hide and yes, there was a reason why she rushed to this rural area and wanted explicitly to work in this company. Janie, Laura and Mia’s boss Harry’s wife, on the contrary, is a full time mom and at the moment totally frustrated. It is not just that she has given up a splendid career, something is nagging on her and slowly destroying her marriage. When one evening, the offices burn down, all three of them seem to have had good reasons to destroy the company. But, did they also count on killing somebody inside the building?

Heidi Perks’s mystery is a marvellous story which hooked me immediately and keep me reading on as soon as I had started. Three female protagonists are very different from each other and hard to see through at the beginning. But the more you see them interact with each other, the more suspicious you get and while I was reading, I was constantly shifting sympathies since every piece of information added to the picture and slightly changed it.

At first, I felt compassionate for Laura. Coming back after months at home now struggling with her new role as mother and having a career at the same time. Her husband’s constant criticism – even though completely justified – and having somebody younger and attractive stealing her post while her boss lacked supporting her: I could easily understand why she felt like losing all confidence in herself and increasingly getting obsessed with Mia. I didn’t really like the later at first, mainly due to the fact that she was presented through Laura’s point of view, she seemed like an intruder with evil intentions. Yet, there was also another side which she kept from the office and which told an entirely different story. I didn’t know what to do with Janie, was it just lamenting at a very high level? Having a wonderful family and lots of money, what did she have to complain about? It was herself who suggested giving up her career. She was certainly the character least tangible of the three and her motives of ending her marriage remained quite blurry until the end.

A brilliantly crafted plot with a very female and perfidious fight between the three. There was also something really tragic about the story when the motives were finally revealed which kept me pondering about the fact that how easily you put together an allegedly coherent picture of a person or a situation while you might be totally wrong.

Victoria Jenkins – The Argument

victoria-jenkins-the-argument
Victoria Jenkins – The Argument

Olivia is a typical 15-year-old girl who is fighting with her parents about going to parties, who is unsure of how to dress and how to behave in school and daydreaming about finally getting away from her family. Except she isn’t. Her life has two sides: on the outside, there is the loving mother in the caring home, on the inside, Olivia and her smaller sister Rosie grow up much more than overprotected. Their parents keep them away from the life outside their small home. They are allowed to school, but not much more. Never can they visit or invite friends, never can they really bond with anybody outside their family. When one evening Olivia sneaks out to go to a party, she sets in motion a series of events that will reveal much more about the family than just explain this very uncommon behaviour of the parents.

The story is told alternately from Olivia’s and her mother Hannah’s perspective. Quite cleverly, Victoria Jenkins first makes you believe in a fairly ordinary phase of rebellion of a teenager. Olivia behaves just like any other girl her age and seems to overdramatise her family life. Yet, slowly and almost unnoticed, something else creeps in and step by step, the image and idea you formed about the family shifts until you have to throw all your assumptions over board.

“The Argument” is a cleverly constructed psychological thriller which captivates the reader with the unexpected development of the characters. Both mother and daughter are actually equal protagonists, the age difference and uneven roles do not really make a difference. You focus on their subtle fight, the bits and pieces of their lives that lie beneath the surface and one after the other come out make them turn into realistic and multifaceted characters. While being occupied with the two women, you overlook the real danger and in the end, it is not easy to come to a final verdict on wrong-doings.

A spell-binding novel which does not offer the immediate thrill but which captivates you at a certain point and in the end, does not leave you without a melancholy feeling.

Mahir Guven – Older Brother

mahir-guven-older-brother
Mahir Guven – Older Brother

They are neither French, nor the typical Arabs you find in Paris who mainly come from the former colonies in the Maghreb countries. So no wonder the two brothers who grow up without their mother do not belong anywhere. Their father left Syria in the hope of a better life for his kids, but the older of his sons got in trouble early, only the younger one who works as a nurse in a hospital seems to have a promising future. Yet, the feeling of being unable to fulfil his dreams – becoming a real doctor, being treated like the French – throws him off the track. With a Muslim humanitarian organisation, he hopes to do something useful with his life at least and leaves the country for Syria and the war. Three years after abominable conditions leave their mark and when he returns, he is not only the same young man he was before anymore but he also has a mission to accomplish.

“We used to just be Syrians. Well, he was Syrian, and we were Maghrebins, Syrians, sometimes French, occasionally Breton; it depended who we were hanging out with. In real life, until the war in Syria, we were all more just banlieusards than anything else. But since the war, everyone’s been calling themselves Muslim.”

Mahir Guven portrays two possible ways of dealing with an undoubtedly highly demanding situation. No matter how much effort Europeans put into welcoming refugees and migrants of all kinds, societies are not easy to actually enter. The boys have a French mother and a Syrian father, thus by nature, do not completely belong anywhere. This makes them not only fragile and prone to all kinds of delinquencies, but also perceptible to questionable ideologies which on the surface seem to provide answers neither the family nor the society can offer.

The debut novel gives the young men not only a voice, but also the reader a chance to look into their heads and get an understanding of their feelings and lacking sense of belonging. It also shows that it is not inevitably the family, the friends or the milieu someone lives in which determine about their life. There are always options, decisions are made and even if you opt for one road, this does not obligatorily have to be a one-way street. Second, the terrorists who threaten our peaceful life are not always stupid idiots, but the intelligent ones who simply were refused their share of happiness and a chance in life.

I was immediately immersed in the novel which is written in a lively and authentic tone. But first and foremost, I find it highly relevant to read about these kinds of perceptions and feelings, by far too long other voices have domineered the discourse and if we want to live up to our ideals, we need to listen to them, too.