Nell Zink – Doxology

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Nell Zink – Doxology

New York pre-9/11. Pam, Daniel and Joe lead the life of a more or less successful punk band. They live their dream, not much money coming in, but they can do what they like to. They are happy and luck is on their side when Pam accidentally falls pregnant and Joe has a hit single. Despite his success, Joe spends most of his time with young Flora, his simple but caring mind is the best that could happen to the girl. With the attacks on the World Trade Center, everything changes for this small community. Daniel brings his family away from the Big Apple to his wife’s parents in Washington where Flora will then grow up. She does not become a dreamer like her parents but is a strong activist for environmental matters and has the strong conviction that things can be changed.

Doxology – an expression of praise to God. There are different kinds of god in Nell Zink’s novel who are worshipped. From the punk rock gods who are idolised by their groupies to politicians who promise their voters more than the world to lovers for whom they are ready to give up their ideals. Yet, none of them can fulfil the promises made and at last, the characters have to fend for themselves.

I find it especially hard to write a review on the novel since I still don’t know what to think of it. I certainly admire her style of writing, it is lively and witty and her characters are authentic and powerful. However, it is hard to determine what the novel is about and what the author wants to point at.  There is the (not so) easy-going time of the 1990s punk rock scene in New York, where life outside the bubble can be ignored. Family strings are cut and the musicians submerge totally in their artistic bath. 9/11 not only ends carefree life in New York but also their punk rock dream and the story shifts to Flora and her growing-up in Washington. In her early 20s, she could hardly be more different from what her parents were at that age. Her focus is totally different – well, she belongs to another generation with other topics.

Flora is the product of her grandparents’ and parents’ decisions – and she herself has to make some major choices that will impact her existence. Maybe this is what the book is about after all: life as a chain of decisive moments that lead you in one or the other direction. Quite often there is no actual “right” or “wrong”, much more, the real implications only reveal themselves later. Does it help to ponder about past decisions? No, life goes on and you have to face it anyhow. A wonderfully written family history which is nevertheless not easy to grasp.

Megan Hunter – The End We Start From

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Megan Hunter – The End We Start From

A young couple, the woman is pregnant, only a couple of weeks before the due day for her baby. London is threatened by a flood, people are being evacuated and the couple is affected by the environmental crisis, too. But then the relief, they can stay in their home. However, after the birth of Baby Z, they need to leave their home and move in with the husband’s parents. The crisis aggravates, first the grandmother, then the grandfather dies, they run out of food, then they have to leave and find shelter in a refugee camp. As they move from one place to the next, they are separated, not knowing if they will ever see each other again. Baby Z however, is discovering the world, making his first movements, first steps and saying his first words.

The novel is striking because of Megan Hunter’s rather plain style of writing. Short sentences coupled in short paragraphs. The characters do not have names, only the first letter of their Christian name is given. This equals the shortage by which they are increasingly affected and it intensifies the feeling of hardship and stress. You can feel the reduction to the very necessary in each sentence. The paratactic style keeps you informed, but you do not smoothly float through the novel. I have not often read novels in which the style equally thus perfectly the story. And Megan Hunter has a way of putting action into words which makes you stumble quite often, for instance: “The day they don’t come back from shopping is beautiful.” (Po. 88)  How can you ever reduce such a major event in a character’s life in such a sentence ending with an optimistic and promising adjective like “beautiful”?

The young mother is in the centre of the novel. First, we meet her with the well-known fears which all primipara share. But her fears are quickly overshadowed by the crisis which threatens their lives and the deaths of her parents-in-law. It is interesting to see how the style of writing expresses her emotions rather than functions as means for a description of how she perceives her situation.

The opposing developments of, on the one hand, the environmental crisis and on the other the development of Baby Z is masterly designed by the author. The antithesis in the title also picks up this idea. The life they lead before is gone. Your position in your job and in society, your role or roles in life – everything is submerged and questioned, now, all of the survivors have to start anew. The way the characters cope with the situation is also interestingly and convincingly depicted: some can manage, they are true survivors, other try to break out and run away from the situation.

All in all, a short novel which is striking due to the style it is written in.