After her father’s death and the revelation that apart from her mother, there was another woman he obviously loved, January falls into a deep hole. Hopelessly romantic as she is, she does not understand the world anymore and has to realise that her parents’ perfect marriage was far from the ideal she had always pictured it. Her mental state also keeps her from doing her job: writing romantic novels. How can you write about love when you lost all believe in it? Totally broke and to overcome her writer’s block, she moves to her father’s beach house which she plans to clear out and sell and where she hopes over summer to finish her next novel. When she arrives, another surprise is waiting for her: her neighbour Augustus Everett was at college with her and her greatest enemy. He always looked down on her Happily Ever After novels while he himself was more of the serious literary writing type. Soon, they realise that they have much more in common than they had thought and somehow they come to have a bet: swap genres and see who is the first to sell a book.
Emily Henry’s novel not only has the perfect title but it also keeps the promise that comes with it: it is a beach read just as you’d imagine: A bit of romance here, also some struggle but none too depressing there, all wonderfully narrated so that you just rush through it while enjoying the sun. It is a light-hearted escape to forget about the world and your own problems for a couple of hours and to only indulge in reading.
Even though I am not that much into com-coms, I enjoyed the book thoroughly. At times, I had to laugh out loud as the author really manages to find a carefree and relaxed tone; when in other novels you again and again read about barking dogs, in “Beach Read” you get this here: “Somewhere, a Labrador was farting. “
Even though a typical summer read which does not weigh too much on your shoulders, there are some more serious aspects one could ponder on, but clearly, the romantic fight between the protagonists is in the centre and it is clearly meant to be enjoyed.
This could be his last chance for a break-through as a journalist. When Barcelona based Joan Aiguader decides to write about a victim, the 2117th refugees who dies on the dangerous way across the Mediterranean Sea, he cannot anticipate that his article will shake Department Q, Copenhagen’s cold case unit, or that he himself will soon fall in the hands of reckless terrorists. The poor woman who found death on Greek shores is well known to Assad, member of the famous and most successful unit within the Danish police. Lely Kababi once saved his life when his family had fled Iraq and now, so many years without the least information about her whereabouts, he sees her on a picture and next to her is his wife Marwa whom he has neither seen nor spoken for 16 years. Assad needs to get in touch, but he knows just from looking at the picture that this will not be easy since there is another person to be seen: his worst enemy who obviously is seeking revenge.
Jussi Adler-Olsen continues his Department Q series with a suspenseful and highly political instalment which combines current events with the story around the very special unit of the Danish law enforcement authorities. When I read the first novel, I immediately fell for the very peculiar characters Adler-Olsen created. They seemed to be quite a unique assortment of individuals who nevertheless managed to work well together and were highly successful due to their distinctive and diverse skills. All of them had a story which only slowly has been revealed throughout the different books, now it is time for Assad’s story, the most secretive of all.
I am not quite sure if I find Assad’s backstory totally convincing, but I grant it to literature to extent the borders of plausibility at times. Additionally, I am also not in the position to judge on what can happen in Middle East countries in times of war. Setting aside this aspect, I found the characters’ motivation very convincing – Assad’s as well as his opponent’s. I was quite happy to finally get an idea of his life before joining Department! Q which has always been quite blurry. And I totally adored how Adler-Olsen managed to combine this with current affairs that have been central to European politics for quite some time now. Especially the role of journalists – unfortunately only crucial at the very beginning – has been quite authentically portrayed.
The different points of view accelerate the action and lead to a high pace. It does not take long to be totally captured by the novel and again, the author has demonstrated that among the multitude of great Scandinavian crime writers, he surely is at the very top.
A heat wave is rolling over Glasgow in July 1973 and just so is the drug business booming. One of the victims is Bobby March, the city’s greatest rock star, found dead in a hotel. Yet, this goes more or less unnoticed since the town is holding its breath with looking for young Alice Kelly who has disappeared into thin air. Her parents are neither rich nor famous, no ransom has been demanded, so everybody fears she might have been killed by some random perpetrator. With his boss Murray away and Raeburn in charge, life at Glasgow police becomes unbearable for Detective Harry McCoy who is ordered to the most loathing jobs. With the heat not going to cool down, the atmosphere is getting more and more tense and it is just a question of time until the necessary explosion comes.
The third instalment of Alan Parks’s series set in the 1970s Glasgow is by far the best. In the first, “Bloody January”, we get an idea of the city slowly declining, in “February’s son”, we learn about the underworld and their connection with McCoy. Now, the focus is set on the police who have the hardest job imaginable to do. Apart from the very personal aspects in this novel, again Alan Parks managed to create a brilliant atmosphere which gives you a feeling of the city and the constraints the inhabitants have to live in.
The plot combines several lines all equally thrilling and suspenseful. Apart from the kidnapping story – which will have much wider repercussions than apparent at the beginning – and McCoy’s personal war with Raeburn, there is also the ominous death of rock star Bobby March which gets unexpectedly personal for McCoy, too (and serves to continue the witty naming of the series). Added to this, Harry is asked by his boss to secretly look for his niece, 15-year-old Laura has been in trouble for quite some time, but now her disappearance seems to be more serious. All this is poured over McCoy and leads to a fast-paced story which you have to follow carefully in order not to get lost. Yet, the skilful and clever detective can connect the dots and bring all cases to an end.
The character of Harry McCoy is a fantastic protagonist. On the one hand, he is totally down to earth and knows how to talk to people no matter their background. He is an excellent policeman yet blends in easily with the underworld and its shady figures. On the other hand, he is totally loyal to his colleagues and has very high standards when it comes to police work and law and order. He knows where not to look too closely, but he is also determined when it comes to crossing a red line. Thus, his pragmatic but straightforward approach to his work makes him a sympathetic and authentic character.
A superb read which combines a great protagonist with a complex plot and lives from the stunning atmosphere the author creates.