Rabih Alameddine – The Wrong End of the Telescope

Rabih Alameddine – The Wrong End of the Telescope

When her friend calls her, Mina Simpson comes to Lesbos to help. The doctor can assist the refugees who land on the island not only physically but, since she is of Lebanese descent, she also speaks the language of the Syrians who risk their life to flee the war raging in their home country. For Mina, the Greek island is the closest she has been to her family for decades, as a trans woman, she never found her place there, only when she came to the USA could she live freely. With the first boat she sees lands the family of Sumaiya who first refuses to be examined by the doctor. But somehow, there is a spark of understanding between the two and Mina quickly understands why the other woman refuses any treatment: she knows already that she is terminally ill and the only thing she wanted to make sure was to bring her family to a save place.

“The Wrong End of the Telescope” is the third book I read of the author and again, he did not disappoint my high expectations even though it took me some time to figure out who the narrator is talking to. Just like in “An Unnecessary Woman”, we find a strong heroine who follows her ideas and yet is not totally stubborn and ignorant but sensitive to what her actions do to others. The plot centres around the refugee crisis which has been the top news for some years now and cleverly mixes fact and fiction by also integrating actual incidents.

Mina comes to the island with a clear aim: she wants to help. She is trained and thus qualified to do the work. Apart from her, there are many young people who have been attracted by the news, their situation is a bit different. Most of them arrived well-meaning, yet, taking photos of themselves helping and documenting the disastrous situation in the refugee camps seems to be their top priority, actually helping only comes second. Most of them seem to be unaware of their inadequate behaviour; the sensation seeking journalists, on the contrary, know exactly why they are there and that they prof from other people’s sufferance.

The protagonist differs strongly here, well, she differs from most people and her personal story is also not without traumatic experiences having grown up in the wrong body in a country where such a concept simply does not exist. She, like the refugees, knows what it means to lose home, to lose the people you love and to start anew in a different country, a different culture not knowing what the future might bring. She is well respected and her knowledge of both cultures allows her to critically comment on the flaws that both exhibit. As an outsider here and there, she is like an unrelated observer who thus can also highlight common traits members might not see.

Depending on the side of the telescope you use, you can get a closer or a more distant view of what you are looking at. Alameddine does both in his novel, on the one hand, he closely portrays the fate of one family, one mother, on the other hand, he also widens the frame of the refugee crisis. In addressing Mina’s narration to an unnamed and disillusioned writer, we also get both perspectives: looking at the world’s state on a wide you, you can simply despair, on the other hand, on a more personal level, there is still hope and so much good the single person can do.

Without a doubt, Rabih Alameddine is a wonderful narrator with a genius for integrating food for thought into brilliant narration.

Grady Hendrix – The Final Girl Support Group

Grady Hendrix – The Final Girl Support Group

For years, Lynnette Tarkington has done everything to keep a low profile, not to be found and to be absolutely secure in her apartment which is equipped according to her needs: security cameras outside, several locks, a cage to hinder any intruder from getting close to her. She has a reason to be careful, she is a final girl, the only person surviving a massacre. She is not alone, there are more girls who share this fate and for more than a decade, they have been meeting regularly in a self-help group led by Dr Carol. But now, somebody seems to try to finish what hadn’t been completed before: killing the final girls. After the first of them has died and Lynnette is attacked in her apartment, she is sure: all the others are in danger and she needs to warn them. Yet, one question remains: who is the killer?

Grady Hendrix’ novel is a roller coaster ride though a kind of teenage horror and splatter movie, just like the ones that were highly popular during the 1990s. Lynnette, the first person narrator, does not seem to be totally reliable, quite obviously, the events she had to go through did leave some scars, not only on the outside, but much more importantly on her psyche. She is a bit strange, to put it nicely, or crazy when judging her behaviour from the outside. Yet, she could be right, somebody might try to kill them, but maybe this also only happens in her head. As a reader, it takes some time to decide which perspective to take.

I absolutely enjoyed the novel, it is just like the movies, fast paced, a bit over the top, some quite scary moments which make it highly entertaining. However, it is not only a shallow novel, there some depths when it comes to what such an experience does to a victim and also how people react to a single survivor who becomes a popular figure due to such an horrendous cruelty.

There are some cruel horror scenes with a lot of violence, so the novel surely isn’t for everybody, me, personally, I had great fun reading it.