Virginia Feito – Mrs March

Virginia Feito – Mrs March

Mrs March leads the classic life of a New York upper class housewife and mother. Her husband George is a successful writer whose latest novel has catapulted him to the top of the bestseller list. Mrs March was raised to this life, from her childhood on, she has learnt how to behave in society and how to present herself and her family in an adequate way. Yet, her whole life has somehow become only a scenery of a life and she has lost herself. When a young woman’s body is found, she is intrigued and soon she finds more and more evidence that her husband’s inspiration might not just come out of himself and his imagination but might actually stem from actual experience. Is she sharing her bed with a murderer?

Virginia Feito’s debut novel “Mrs March” is an intense psychological study of a woman who has lost connection to reality and is gradually plummeting into an abyss. Brilliantly the author shows how a strongly self-controlled character more and more loses power over her life and in the end can hardly distinguish between what is real and what is only imagined.

It is quite clever how the protagonist is presented to the reader, she is only ever referred to as “Mrs March” thus defined by her status as a married woman and without a first name. She is not given anything that she brings into the marriage from her childhood. From her flashbacks you learn that her parents treated her rather coolly and that she has always felt like not doing anything right, not being the daughter they had hoped for, not fulfilling the expectations, until, finally, they can hand her over to her husband. The only persons she could bond with was her – rather malicious – imagined friend Kiki and a household help, yet, she couldn’t cope with positive feelings since this concept was totally alien to her.

Behind the facade of the impeccable woman is a troubled mind. First, it is just the assumption that people talk behind her back, compare her to her husband’s latest novel’s protagonist – not very flattering since this is a prostitute who is paid out of pity instead of for good service rendered – then she sees cockroaches and finds more and more signs which link George with the murder of the young woman the whole country is talking about. From her point of view, it a fits together perfectly, but she does not see how she herself increasingly fractures. Most of the plot happens behind closed doors, she does not have friends or family she is close to, thus, there is nobody to help her.

As readers, we know exactly where she is headed to and then, Virginia Feito confronts us with an unexpected twist which lets you reassess what you have just read. The distinction between reality and paranoia sometimes isn’t that clear at all.

A wonderfully written, suspenseful kind of gothic novel set in New York’s upper class whose signs of class affiliation are repeatedly mocked while also showing that not all is well just because you live in a posh apartment and can wear expensive clothes.

Marie Aubert – Grown Ups

Marie Aubert – Grown Ups

Sisters Ida and Marthe have planned to spend some days together at their cabin close to the sea where they will be joined by their mother and her partner. Ida is reluctant to go there, with her 40th birthday only a couple of weeks ago and still no father for prospective children in view, she knows that her window of becoming a mother is getting closer and closer. This is why she decided to freeze some of her eggs. Yet, it does not hinder her from negative feelings towards Marthe who, now pregnant and stepmother of beautiful 6-year-old Olea, seems – as always – to get everything she wants. Hard feelings accompany Ida and slowly turn their holiday together into a catastrophe.

I totally enjoyed Marie Aubert’s novel as I could easily sympathise with her narrator and protagonist. Additionally, there is some fine irony and humour in the text which make it a great read. The relationship between sisters quite often is all but easy and even as grown-ups, hard feelings and emotional injuries from the childhood can sit deep and hinder them from ever having a healthy bond.

Ida obviously is envious, her sister not only has a living husband but also a lovely stepdaughter and she’s pregnant. Even though Ida is a successful architect, she has never managed to establish a functioning relationship with a partner and feels lonely and somehow failed in life. Always being second, this is how she has grown up, no matter which achievements she reached, there was always Marthe who was ill and thus spoilt those rare moments of joy for Ida. Their mother does not seem to be aware of the difference she makes between the girls – yet, one has also to take into account that we only get Ida’s point of view which quite naturally is not only limited but highly biased.

“It’s not right That it should be so easy for others and so hard for me, I don’t get it, if there’s some sort of formula, a code that others know about, one they’ve known since they were young but which I’ve never quite grasped.”

Ida gets worked up about her sister and is willing to destroy her sister’s life when she is drunk one evening. This is rather tragic to observe and Ida turns into a pitiable character who does not realise that she will be even lonelier if she loses these last persons around her. She is aware of this but cannot act differently.

Marie Aubert’s debut is elegantly narrated, yet, the story leaves you with mixed feelings. It is joyful at times but the dysfunctional family is also an emotional challenge.