Just as the years moves on so does Ali Smith with the third volume of her seasonal quartet. Now, its spring time, the time of the year between death and re-birth, between the end and a new beginning. A promising time, but also a time which can surprise and is hard to foresee. This time, we meet Richard, an elderly filmmaker who is still shaken by his former colleague and friend Patricia Heal’s death. He remembers his last visits when she was already between here and there. Richard is standing on a train platform with clearly suicidal intentions when a girl and a custody officer rush by. Florence and Brittany are headed for a place which they assume somewhere in Scotland, on their journey this unusual couple also addresses the big questions of life and humanity which Brittany can hardly find in the prison she works where the detainees are dehumanised and not even granted the least bit of privacy.
Just like the two novels before in this quartet, Ali Smith captures the mood of the country at a very critical point. In my opinion, “Spring” is absolutely outstanding since it has several layers of narrative, it is philosophical, literary, sociological, psychological, political – an eclectic mix of thoughts and notions that come together or rather have to be put together by the reader. While, on the one hand, being were close to an archaic understanding of the concept of time and the natural course of a year, there are many references to artists and the imaginary world.
Underlying the whole novel is a certain despair – Richard’s grieve, Britt’s disillusion with her job, Florence’s detachedness from humans which makes her almost invisible – in a time of political shaky times: Brexit, migration crisis, an overall suspicion in society about what (social) media and politics tell them and more importantly what they do not tell. Will there come a summer? And if so, what will it be like? As spring always is a new beginning, something might be overcome or left behind and something has the chance to flourish, at least the hope remains.
I found it a bit harder this time to find my way in the novel, therefore, “Autumn” remains my favourite so far and I am quite impatient to see, what “Summer” will bring.
It’s music that makes Cassie Black and Mark Brumfeld fall in love in New York. Together they play in a band and also share their lives, but somehow it doesn’t really fit. It is especially their professional situation that creates a lot of tension, Mark dreams of writing a novel or at least getting a lecturing position at university. When he proposes to Cassie, this is the necessary point of no return for her and they split up. Cassie is offered a job in a somehow strange start-up media company where she fact checks articles but is always unsure of what she really does. After some more failures, Mark returns to his parents’ home in Baltimore. One day, Cassie comes across a video online: her ex published a series of statements against the Baby Boomers who occupy all the good jobs and make life hard for his generation. What was initially meant as a rant due to his personal situation, ends in a violent revolution.
Daniel Torday narrates the novel “Boomer1” through the three perspectives of Cassie, Mark and Julia, Mark’s mother. This gives him the possibility to show the same scenes from different angels which sometimes also spins the way we as a reader perceive it. Even though there are many humorous and highly comical scenes, there are some underlying truths in the story which give it a lot more depth than it might seem to have on the surface.
First of all, I could highly sympathise with Cassie’s job at the media company RazorWire. She always wonders what she is doing – and actually many of her colleagues spend their working time playing computer games and watching YouTube videos. It may seem a common prejudice but reality has shown that many of those start-ups have disappeared more quickly than they were founded since they didn’t create anything at all.
I can also understand Mark’s deception and despair. Being highly qualified but having the impression of being of no use on the labour market because all positions are taken by some old people who could easily retire is just frustrating. Waiting for the life to begin is hard to endure.
Also their struggle with relationships is something that is well-known in the generation of millennials. Heterosexual as well as homosexual experiences, splitting up getting back together – they dream of their childhood when life was easy and families followed traditional patterns. They know that this is not something they will not get as easily as their parents got it. Somehow their whole life is fragile and nothing is sure anymore. What else could be the logical consequence other than a revolution? Starting it online is simply logical for them.
I really liked the novel, it is entertaining and well-written and has a noteworthy message, too.