It is a random and unexpected encounter that brings the student Sigrid and the author she has been admiring for years together. They are mutually attracted immediately and in a café try to get closer without revealing too much of them at first. Trine, however, is ready to reveal a lot as a performance artist who works with her body. But she is struggling with being a mother. Another couple is somehow trying to imitate a film scene which is originally set in Paris but transferred to Copenhagen by the director Linnea. It is just a short glance at their lives, but we see the decisive moment that has to potential to transform everything.
I was eager to read “Wait, Blink” since I usually like the Scandinavian way of telling stories. However, I couldn’t really get into the novel. I assume this is due to the fact that there is not one story, but several quite independent stories are told alternatingly and I was always waiting for the moment in which they connect and form a whole which I didn’t really find.
The scenes about Trine were hardest for me since this character is quite unique and I could hardly follow her thoughts and actions. I liked Linnea and her idea of reproducing “Before Sunrise” – “Before Sunset” in her own life. Sigrid is not really a sympathetic character, but I could link with her thoughts and her struggle to appear as a strong and independent woman while she is actually insecure and afraid of human beings.
Even though the content did not really convince me, I adored Gunnhild Øyehaug’s style of writing. She has found an exceptional tone for her narration and the way of the narrator to talk to you as the reader like he was a good friend and his slightly ironic undertone were great to read. Øyehaug shows what she is capable of and I am looking forward for another novel by her.
Susan Svendsen is everything but an ordinary woman. And she and her family are in danger. She is offered a bad deal by the Danish government: use her special ability to provide them with an important information to have all charges against her dropped. Thinking of her twin kids, she has to agree and thus brings herself and her family even more in danger. But what is it about her gift? In Susan’s presence, everybody feels relaxed and comfortable, people cannot keep from sharing their best concealed secrets with her and she is to exploits this for the government. But the politicians have not counted on her intelligence and survival instinct and a most unfair battle begins.
Peter Høeg has made special women his protagonist before. Individuals with a supernatural sense and an extraordinary will to survive. In his latest novel, Susan is equipped with a skill that allows her to manipulate the people unperceivably which in itself is quite remarkable. But what make the character even more interesting is the combination with a straight down-to-earth intellect which does not accept anything outside the world of natural sciences. Susan can explain anything with her knowledge of physics and chemistry or biology, other fields such as music or religion just don’t reach her. This makes her contradictory and ambiguous in a very fascinating way.
The story itself is a fast-paced thriller which combines political complotting with action-packed chases and quite high number of cruel murders. However, the author never forgets his characters and their complicated relationships. The emotional facet blends in smoothly and thus adds to the cleverly constructed plot.
Underlying the whole story is a scenario which nowadays might still be considered something of the faraway future: parts of the planet will not be inhabitable due to climate change. How will we, how will our politicians react to this? If just a limited number of persons can be saved, who will be the selected few? As in other novels before, Høeg creates an extreme setting in which his characters are brought to the edge and have to make hard decisions, decisions about life and death. It seems to be a topic he liked, to play with how human being react in extreme situations. Thus, he provides us with the opportunity the think it through ourselves. Definitely a thriller with a lot of food for thought.
Sonja, a literary translator for Swedish crime novels, is over forty, so she decides that it is finally time to get her driving license. In Copenhagen’s streets she is not only fighting with the driving school’s car and the other cars, cyclists and pedestrians around her, but also with her instructor Jytte who just does not let her change gears and yells at her all the time. When Sonja complains with the driving school’s boss Folke, she is not sure if with another instructor, she will be able to learn how to move smoothly in the traffic. However, it is not only the failure in driving that worries the translator. She struggles with her current piece of work and especially with her family relationships. Her sister as well as her parents still live in the countryside where she grew up and with whom she hardly has any contact.
Dorthe Nors novel which is nominated for the 2017 International Man Booker Prize is an interesting piece of art. First of all, I found the central topic quite innovative, I cannot recollect ever having read a novel in which learning to drive a car is the focus of the plot. Yet, this is only on the surface the central aspect, Sonja’s driving lessons are much more marked by the complicated relationships and conversations by the characters. Her first instructor, Jytte, is an outstanding person. She is not only outgoing and loud in every aspect, but also not very sensitive with her students. The encounter with a very reflective and intellectual woman who, additionally, is also a bit older and full of insecurity, can only lead to conflict which the two women avoid openly. The second instructor, Folke, is much more receptive to Sonja’s emotional needs than he seems at first.
On the other hand, we have the complicated communication between the sisters which is mainly avoided or unsuccessful. Kate does not want to talk to Sonja, her husband repeatedly has to deny her being at home in order not to be confronted with the sister and old conflicts which have never been solved. Dorthe Nors has found an interesting picture to illustrate their relationship: “If Sonja and Kate were apples, you’d say that they’d fallen on two different sides of the three” (pos. 852). They come from the same tree, but then they lose sight of each other.
Sonja is symbolic for the modern inhabitant of a major city. She has many people around herself, her life is full of different things she can do in town, but underlying it all is a loneliness which sometimes surfaces and makes them aware of the poor quality of the many encounters they have:
“In Copenhagen you could have something else, and her first years were a success. She learned the city’s movements, its dialog, its form. But bit by bit it stopped making sense.” (pos. 1526)
Yet, life in the countryside is also not portrayed as the perfect solution. Much more the question is raised what is important in life and should it be more than just the fulfilment of basic needs.
Even though there is a certain melancholy which marks the novel, there are also funny situations and hilarious dialogues full of absurdity. Life is not only black and white, and sometimes you struggle with it, but as soon as you have found your place and have decided on what is important for you, you can find you balance and go on.
Regarding the nomination for the International Man Booker prize, I found others nominees I have read much more demanding, e.g. Mathias Enard’s “Compass” (review in German) or David Grossman’s “A Horse Walks Into a Bar” (review in German). However, for such a renowned prize, Dorthe Nors’ novel is wonderful to read on different levels.